Lost worlds and ports of call

Month: February 2022

The Book of Boba Fett, Chapter 7

And so this show comes to an end. Maybe it’s the end of the season, maybe it’s the end of the show. It was a strange show, ostensibly about Boba Fett the great bounty hunter. At times it wasn’t about Boba Fett, and rarely (if ever) was it about bounty hunting. It was a show about what might have happened to Boba Fett after his so-called death in Star Wars: Return of the Jedi. For the fans (and the accountants at Disney) would never let Boba Fett die. Star Wars is a money-making machine, and every facet must be mined for lucre.

Writing this a few weeks after I watched the show seems weird. I enjoyed parts of it, but other parts seemed like it really didn’t fit. This was the battle-episode, with Fett’s forces fighting the Pykes (and everyone else, for many of his supposed neutral allies turned on him).

I won’t rehash the events of the episode, but things seemed to work out in the end. There seems nowhere for the second season to go, as the premise, with Fett taking over Jabba’s empire, is a closed-off premise, unlike The Mandalorian and other Star Wars shows, which can travel anywhere. If this was the show that brought back Boba Fett, I can’t say it did him credit. I think part of the problem is that he originally was an antagonist, and the folks at Disney tried their hardest to make him a likable character. There are few antiheroes that work—Dirty Harry, Eastwood’s The Man with No Name, the Mandalorian, maybe a handful others. Boba Fett did not work as such a character. Still, it was good to see more of the Star Wars universe, and only a minimal amount of Skywalker.

The Curious Mrs. Maisel

I enjoyed the first season of The Marvelous Mrs. Maisel, released on Amazon Prime back in 2017. The episodic tale of a late 1950s Jewish housewife turned comedian was fresh and funny, for the most part. It had promise, almost like a modern version of Henrik Ibsen’s A Doll’s House. It would have worked as just a single season. But, success spawns sequels, or, in this case, additional seasons, as the show is around episodes long per season.

Sometimes sequels work. Sometimes they subvert and destroy the original material. In this case, the second season actually brought a freshness beyond the first. It introduced new characters new locales, and remained funny. However, the writers seemed unable to let go of the main character’s relationship with her cheating husband. This did not bode well for a third season, for it would seem that the creators didn’t give Mrs. Maisel enough credit to stand on her own.

True to expectations, this relationship issue was part of the downfall of season three. The show also telegraphed miserable decisions by multiple characters, as well as political viewpoints from the 21st century imposed on the 1950s, and I stopped watching the show after the third episode; I caught up on the plot by reading reviews and recaps, which confirmed what I anticipated. The ending was grim, a drastic fall from grace that deflated the very promise of seasons one and two.

I didn’t plan on watching season four, released in February 2022. Reluctantly, I read a brief recap, and it didn’t see too bad. Only two episodes had been released at that time, and I went ahead and watched them both. The misery of the last season has certainly left its traces, but there’s a bit of hope left in the show. I’m not sure what the writers have planned for the season of the season, or the final fifth season. I suspect Mrs. Maisel will return to her husband permanently at some point, thus defeating the very premise of the show.

What makes the show somewhat funny comes down to the characters. Mrs. Maisel, aka Midge, aka Miriam, has her moments. Her mother is annoying, her father unintentionally funny, her husband (or ex-husband), a strange jerk, her in-laws are definite jerks, her best friend is funny in an axe-sharpened way, her manager strange, and there’s an entire array of other characters who are brilliantly written and brilliantly cast.

What makes it unfunny really is her comedic act, and the seeming lack of purpose in her life. She changes gears from perfect housewife to so-called comedian (although she just riffs on views about men/women and religion) at will. She wants to be famous, yet torpedoes her own career. She has a terrible manager, and neither of them have any idea of how to manage money. She floats through life, a privileged life. Her New York is a fantasy. Her whole world is a fantasy.

The show has been renewed for a fifth and final season. This, in a way, is a good thing. Having it continue past it’s use-by date would be a disservice. One can only hope that there remaining episodes of season four shows her the path to success, either professionally or personally, and that it doesn’t end with her wedding her ex-ex-husband for the third time.

Bill Bryson’s Hate Letter to America

A while ago I became fascinated with the Appalachian Trail. I watched documentaries, read blogs and books, including a humorous one by Bill Bryson called A Walk in the Woods; I even watched the movie based on the book (a disappointing, but truly Hollywood-glossed yet tiresome affair).

I wasn’t on the lookout for other Bryson books, but recently I picked up and read The Lost Continent. I slogged through this hate letter to America, trying to find some redeeming value within its pages, but came away empty. There’s so much bile in this book, and I’m sure Bryson meant every nasty word, from personal attacks to snarky comments on road, cities, states, and the various people who inhabited them.

The sub-title of the book is “Travels in Small-Town America.” It’s based on two road trips he took in the autumn of 1987 and spring 1988, totaling 13,978 miles. He covered most of the states in the lower continental US, or at least parts of them. He had mostly nothing good to say about any of those states, or any of the places he visited. Every historical monument is a tourist trap, a bad marriage of run-down buildings, surrounded by gewgaw sellers, and the entrance fees exorbitant.

Although the book makes me want to take a similar type of road trip, driving through multiple states, I’m not sure of the best use of such a plan. A possibility might be a National Parks road trip, trying to see all the National Parks in the US in one go. I’m sure someone has mapped out the most efficient route, if not the most efficient time of year and place to start. Some National Parks require watercraft, or maybe air, to visit, but most are drivable. There are some tricky logistics, such as dealing with crowds in the most popular attractions, and the range of weather from Florida to Alaska. Having only been to four National Parks in the US, and only ones on Texas, New Mexico, and Utah, such a road trip would be epic, a 20,000+ mile voyage spanning many months.

I’ve done a few road trips in my time, mostly in Texas and New Mexico, although a few miles here and there in Colorado and California; the US is a vast continent. There are massive cities, concrete jungles where you take your life in your own hands in one area, and see marvels of human ingenuity a few blocks away. There are pockets of darkness in the wilderness I wouldn’t dare venture, remote areas where you need to weigh your car of choice and your accent carefully. America is like multiple alien worlds in one continuous place. Some of that feeling might be perception from reading books or watching movies.

I’ve visited quite a few places of note, and yes they charge entrance fees. You can’t expect to walk into the Hemingway House in Key West without forking over a few bucks. Not all places can exist solely with the help of unpaid volunteers catering to Bryson’s whims and feelings about walking through someone’s former house as if he was an invited guest.

As for Bryson’s trip, he must surely know that it’s not a uniquely American feature for people to set up shop near places that many people visit. Is that ideal? Maybe not, but it’s the same in virtually every corner of the world. I’m sure there were people in the Red Square during the heyday of the USSR who tried to offload an item or two when people came to visit. I’ve seen the same in many countries in Africa, as well as Norway, England, and other European locales. As a former Norwegian, I sometimes feel sad when walking through Bergen and seeing so many shops and places catering to tourists by selling overpriced crap. The fish market in Bergen used to be a fun place to visit, but not so much any more. The top of Fløien has expanded the viewing area to a point I no longer recognize it. Yet, walk a few hundred meters further, and you’re in forest. Walk the streets of the city away from the harbor, and you find regular shops. It’s the same in the US; step outside the core area of concentrated tourist spots and you still find genuine people and places.

Why Bryson hates his home country so much, one can only wonder, unless it was a gimmick to sell his book. “Look, ” one can image he said to his publisher, “I know Steinbeck wrote a travel book, a glowing paean to America. I want to do the opposite. I’ll do a road trip, and at every stop I’ll rip into everything I see. It will sell millions, just on my name alone. Also, people abroad hate America. This is a win-win proposition.”

And they went for it.

The Book of Boba Fett, Chapter 6

I’m somewhat tardy writing this, as chapter 7 appeared a few days ago, a full week after this one. Chapter 6 is another strange installment, in that the titular character appears only near the end, and contributes nearly nothing aside from a few words.

Instead, this episode continues from the previous one, with the Mandalorian off to bring his beskar gift to young Grogu, that terrible name for the Yoda-like creature he adopted in his own show. Grogu is currently training to be a Jedi under Luke Skywalker. First, however, the Mandalorian must cool his heels until someone can arrive to take him to Grogu. That emissary is none other than Ahsoka Tano. She’s on the same planet as Luke, though in her mind no longer a Jedi. We get a montage of Grogu’s Jedi training, and witness the Mandalorian’s pains as he’s unable to greet Grogu in person, but must leave his gift with Ahsoka. The Jedi, as we know, must foreswear all emotional ties to others, and the feeling is that if Greg sees the Mandalorian, this will taint or ruin his Jedi path. This lack of emotional ties goes against the Mandalorian creed, and seems to be the downfall of the Jedi time and time again. Why, also, does Ahsoka adhere to this view? Didn’t she see what happened to Anakin Skywalker, Luke’s father? At the end, Grogu is given a stark choice: return to the Mandalorian, or remain with Luke and train as a Jedi. We probably already know the answer, but that’s left for another episode.

The episode then concludes with Boba Fett’s forces preparing for war against the Pykes. Who will be on their side? How will they defeat this force? How will this not only end in the 7th episode, but what are the implications for potential other seasons, or even the Mandalorian?

Again, a somewhat strange episode, with the focus not on Boba Fett. It also witnessed the arrival of a Clone Wars character (the animated show), another bounty hunter called Cad Bane. I didn’t watch too many Clone Wars episodes, and Bane seems such an affected character. It’s strange how these characters just never die, but keep popping up decades later, almost merely as a fan service. But isn’t that what The Book of Boba Fett is all about? Fan service. For why else resurrect a character that supposedly died back in 1983 or so?

Robert McCammon’s King of Shadows

Well, hell. Robert McCammon’s latest novel, the eighth in the Matthew Corbett series, is due to be published in 2022. That’s the good news. The bad news is that the hardcover is a deluxe limited by a new press, Lividian Publications. I’m not sure why there are multiple publishers in the series, from Subterranean Press (who publishes most of them) to Cemetery Dance (only one). I like the books in hardcover, but I don’t mind a trade edition. A deluxe limited with a slipcase will probably just cost too much for me to care, and as the book is over 700 pages long, the next edition (paperback) will take a while and just look wrong on my bookshelf. After catching up with all the novels, this may just mean that I skip the next two.

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