Edward Cline’s Sparrowhawk books seem like a compelling series. Book five now available via Laissez Faire Books.
Author: Anders Monsen (Page 72 of 82)
F. Paul Wilson’s new Repairman Jack novel, Harbingers, inches closer to publication. Gauntlet Press released a teaser page with the book cover, a stunning work of art. They begin taking orders on January 1, 2006, and their limited edition probably will sell out before the publication date of June. Mass market hardcover follows later in the year, but hard-core fans will want their copy early.
Over at lewrockwell.com, a libertarian site that also at times embraces confederacy southron culture and its implied racism and agrarian aristocracy, Gail Jarvis present a Christmas list of southern American fiction.
Meanwhile, a different sort of culture emerges in Tom Palmer’s reading of Ole Edvart Rølvaag’s novel Giants of the Earth. According to Palmer, Giants in the Earth “is about accomplishment, rivalry (of various sorts), the joy of productive work, family, love, religion, common sense, and, above all else, striving.”
All this is a far cry from the so-called Southern scenario, where on a frivolous level “beautiful women [are] eagerly sought after by men,” and “young Southern aristocrats [try] to win the affection of their true loves during Charleston’s holiday season.” Also discussed are more serious issues in the “agrarian South” of ” conflicts arising when urbanism creeps into rural communities,” and where there are “strange yet kindly master[s].”
Both Rølvang and the southern authors mentioned by Jarvis deal with non-urban settings, but in terms of cultural ideas it seems you have to look to a Norwegian to express the ideas of true American values. Jarvis fails to mention my all-time favorite novel, and a book written by a person from the south Harper Lee’s To Kill a Mockingbird. Perhaps this book is too famous, or contains the wrong values, as Jarvis seeks to highlight works that “avoid the stereotypical Hollywood clichés about the region.”
Available now, the latest James Hogan collection
Eric S. Raymond is spurred to further reading on Kipling by a comment on his essay that I reprinted in Prometheus. I have to admit that it’s been a long time since I read Kipling, and then it mostly was his Indian tales. I’ve pulled down my Kipling sf collection and hope to read the stories again, given the comments by both Raymond and William Stoddard, who caused Raymond to re-think some of the ideas in his original essay.
I’m travelling this week, hence the lack of posts. I had hoped to post a couple of book reviews, but these are still in process. In the meantime, as I’m sorting through my luggage preparing for my return flight, I notice a strange card. It appears the Transportation Security Aministration’s minions opened my checked in luggage, pawed through the contents, and left me a card explaining what they did. There’s no indication why, although I did put part of my keychain in this bag, since it includes a tiny Swiss Army knife, and I did not want it confiscated. Next time I’ll leave that implement in the car, and carry the extra luggage on the plane. And I used to like airports and flying. No more. I’m tired of the long lines, the bored yet superior attitude of the screeners, and the waste and fraud the accompany any federalized operation.
Roderick T. Long relates a personal search for an elusive memory of an article on Ayn Rand and science fiction in an old issue of Starlog. The issue in question, #22, May 1979 contains an article on the science fiction of Ayn Rand, especially Anthem and Atlas Shrugged, and includes a Boris Vallejo painting of the John Galt torture scene from the latter novel. The link in Long’s article about a movie adaptation of Anthem takes the surfer to an article from early 2004. Posted by Rand scholar Chris Sciabarra this story talks about former Starlog publisher Kerry O’Quinn acquiring the movie rights to Anthem. I personally think the book would better be adapted as a graphic novel or animated movie, filmed purely in black and white. Still, Rand fans whose interest is piqued by this story may drive the price of that 26 year old issue of Starlog.
Next week I’m hoping to complete three long book reviews for Prometheus, the newsletter that I edit. Lo and behold, Pyr books drops a large, heavy volume at my doorstep, which I look forward to reading but will have to wait until those prior obligations are finished. John Meaney’s Context
There’s a dark force rising throughout Nulapeiron, known as the Blight, or the Dark Fire. It subsumes human beings, makes them insignificant components of a vast whole: an entity which bears the same relationship to a single human being as a person does to a bacterium. From small beginnings, realms undergo strange societal changes, until they become part of the Blight-occupied territories.
The US publication date is 2005. It’s book two of a series, but the author promises each will work as a stand-alone book. Fantastic over painting by Jim Burns. More to follow…
Via Liberty and Power, a link to an abstract of an essay by Benjamin Barton on the implied libertarian critique of government in J. K. Rowling’s Harry Potter novels.
The critique is even more devastating because the governmental actors and actions in the book look and feel so authentic and familiar. Cornelius Fudge, the original Minister of Magic, perfectly fits our notion of a bumbling politician just trying to hang onto his job. Delores Umbridge is the classic small-minded bureaucrat who only cares about rules, discipline, and her own power. Rufus Scrimgeour is a George Bush-like war leader, inspiring confidence through his steely resolve. The Ministry itself is made up of various sub-ministries with goofy names (e.g., The Goblin Liaison Office or the Ludicrous Patents Office) enforcing silly sounding regulations (e.g., The Decree for the Treatment of Non-Wizard Part-Humans or The Decree for the Reasonable Restriction of Underage Sorcery). These descriptions of government jibe with our own sarcastic views of bureaucracy and bureaucrats: bureaucrats tend to be amusing characters that propagate and enforce laws of limited utility with unwieldy names. When you combine the light-hearted satire with the above list of government activities, however, Rowling’s critique of government becomes substantially darker and more powerful.
I ventured reluctantly into the world on Harry Potter only after the third novel saw publication in paperback, but I quickly became a fan. The seven-novel saga (one book remains to be written) sketches a rich world as young Harry grows to adulthood, cursed to be different in many ways. He’s a wizard, an orphan, abused by his adoptive family, feared and misunderstood by fellow wizards, and fated to face the most dangerous wizard ever born. I noticed early on the strong antipathy towards government and its minions in Rowling’s books, especially book five. Yet also the man-hunt for Sirius Black and revelations into the way the Ministry of Magic dealt with wizards after Voldemort’s “death” highlighted the corruption of those in power. Several of Voldemort’s allies received government positions, influencing the direction of the Ministry. For an alleged children’s series, Harry Potter is layered with multiple meanings far beyond the perceptions of a young audience. Rowling writes with this in mind, resulting in the series’ popularity with adults as well.
BBC reports that Sky One is planning a new series inspired by the Prisoner. Although the themes of conspiracy and paranoia will remain, the setting will differ, and the show would take other “liberties” with the original. In 2002 the Libertarian Futurist Society recognized The Prisoner with a Prometheus Award for a classic work of liberty. The entire 17 show series is available in a nicely packaged DVD set.
