Lost worlds and ports of call

Category: books (Page 1 of 19)

Books added: a pair of Knausgaards

Norwegian writer Karl Ove Knausgaard was apparently all the rage a few years ago, with his multi-volume series of novels under the aegis of “My Struggle.” To date, six volumes has been published in this series. He’s also written other books, but is best known for the autobiographical series of books under the heading, My Struggle.

Even as a (former) Norwegian, I hesitated buying/reading his books. He’s too contemporary, too fashionable, I thought, each time I came across his name.

Still, someone I know kept asking me every time we met (not very often, but maybe every two years) whether I’d read his books. I guess that, as a Norwegian, it was somehow assumed that I would have read them. Each time, I replied that, “No, I haven’t read any of his books.” It’s not that I haven’t seen his books in bookstores., or been aware of him. The books were there, though not always in the right order, when I I saw them. Still, I hesitated. Maybe I didn’t like his international success (compared to other Norwegian writers that I thought deserved success). Maybe there were other reasons; the book title hewed too closely to another, more infamous, German title, for one.

Recently, however, I came across two of Knausgaard’s books in a used bookstore, and thought, “Why not?” So, I bought them. One of these books was the first volume in his “My Struggle” series. The other, called Winter, was part of another series based around seasons. Knausgaard’s only a couple of years younger than me, yet he’s a prolific and famous author, while I’ve written only some early-draft crime novels. In other words, there is nothing to compare us, unless you contrast success and nothingness. Winter starts with musings on an unknown and future child (he’s apparently not just prolific, but fertile as well). I set this book aside. I might need to find those other season-related books first.

Meanwhile, the first volume of My Struggle begins with Knausgaard musing on death and dead people. This was unexpected, at least to me, as I thought it would start with his own birth. Then again, after talking about dead people and how we treat them. he transitions into a story about himself at the age of eight, having seen a newscast about a Norwegian fishing vessel capsizing, with those on board drowning. He highlights his own reaction to this event, as well as his interactions with his father. That’s as far as I’ve made it at the moment.

The book begins in 1976. Knausgaard was eight years old at that time. In 1976 I was slightly older, about to leave Norway for a second stint in Zambia. I remember this year vividly. At the of age nine in 1976, this might have been was my “starting” moment in terms of memory, more so than at age eight like Knausgaard. So much happened to me in 1976, a major year in my life. Although I also was in Norway at that time, I don’t recall that same shipwreck incident; in my case there were more personal events that I remember (school, location, a first kiss, the apartment, a so-called friend inviting me somewhere and then eating dinner in front of me, as well as many other things that seared into my memory from that year). Maybe, it’s because we didn’t have a TV, maybe it’s because I saw life differently that time. I certainly didn’t think about death then, not for many years. I thought about life, about where I lived, what I did, and what I saw.

Why is the book called “My Struggle?” I don’t know, at least not yet. He seems to to fear his father at that age, something I don’t think I ever experienced. His father seems to come across as strict, almost tyrannical, despite being a teacher. I think my father at that same age was a little distant, but nowhere near the same as Knausgaard’s father. We’re less than two years apart in age (Knausgaard and I), yet so very different. While I bounced between countries and cultures, he existed only in Norway. Having only sampled a few pages, maybe I’m being too judgmental. Again, what’s the struggle? You had a great life, Karl Ove. You didn’t get dragged to a foreign country. You didn’t change your identity. You’re Norwegian, through and through, not someone split between cultures and continents.

Anyway, I guess I need to read more in that book now, to gain a better insight into why he’s famous. Then again, there are five more volumes to dredge through, if I want to know more. I still don’t get it.

Books added: a pair of Charles de Lint Books

I recently missed out on a bid for a set of nearly a dozen of Charles de Lint’s Subterranean Press books. Maybe that wasn’t a bad thing, since I already owned five out of the books in that lot. Still, I’ll admit that it was somewhat disappointing, as the rest were ones that I really wanted.

I always have a hard limit on auctions, which means that I lose out on quite a few of them. I guess that now I need to acquire those books one by one instead. However, looking at de Lint’s bibliography, I doubt that I’ll ever be able to acquire all his books, so I’ll take them as I find them. Then again, I did find a pair recently at decent prices, so here goes…

First up, The Onion Girl. Published in 2009 by Subterranean Press, and limited to 500 signed/numbered copies plus 26 lettered copies. It’s a hefty book, clocking in at just over 500 pages. The cover is gorgeous, yet the story hits at darkness. I recently read another book that featured the same main character, so at some point I know I’ll be drawn into this book.

Next, Seven Sisters Wild. Another Subterranean Press book, this one published in 2002. This is the signed hardcover edition, with signatures from both de Lint and illustrator, Charles Vess. It’s a novella, only 152 pages long, and beautifully illustrated by Vess.

All in all, this still leaves at least 20 of de Lint’s books that I don’t have, compared to the 32 that I have. That first number’s probably fuzzy, based on an old bibliography. Still, 20 seems like a massive number. Many of these books are hard to find, or when listed somewhere, fetch premium prices. A few of the so-called “missing” books I have in beat up paperback editions. I do want better copies, though. Others, I don’t have, and want to read.

Sometimes, though, I think you have to be in the right mindset, or the right age or the right timeframe, to read certain books. I recently re-read Moonheart and liked it, but when I tried to read Eyes Like Leaves, written around the same time as Moonheart, I struggled and gave up—at least, for now. Maybe Eyes was too similar to Moonheart. Maybe it jumped around too much for me to fasten onto the plot and characters. Maybe I’m just a different person from back when this book was published Still, I hope de Lint keep writing fiction, despite his recent personal tragedies. Then again, maybe he’s said all that he wants to say, at least when it comes to fiction. It won’t be the first time that’s happened to an author.

Book added: Blaylock’s Invisible Woman

By chance (per my normal book buying methods) I saw a listing in early March, 2025 advertising for sale a new James P. Blaylock book. This book was The Invisible Woman, published by PS Publishing in December 2024. With no wallet on hand, I decided to return to that site the following day. The original listing that spurred my interest had by then vanished, so likely another Blaylock fan swooped in and got that book.

I immediately went to the web site of PS Publishing and placed my order, fretting that I’d again waited too long. Blaylock is one of those writers (along with Jack Vance, Tim Powers, Michael Shea, F. Paul Wilson, and Charles de Lint) whose books I won’t hesitate to buy. Vance and Shea now have passed beyond the veil, and Wilson’s stroke means no more new fiction. There are still a few de Lint books that I don’t own, and I hope Blaylock (and Powers) continue to write and publish fiction.

The hardcover edition of The Invisible Woman is limited to 200 copies. A trade paperback edition also exists, for those not fortunate enough to grab one of the hardcovers. I still cannot fathom why Blaylock doesn’t garner more mainstream publications – he used to publish books with Ace, and then Subterranean Press. Has the market for Blaylock’s fiction shrunk so much that a hardcover edition of a new novel now comes down to just 200 copies by a UK publisher? What has happened to the US fantasy market for this to happen? Has the market changed that much, or the fans just up and vanished? I remember reading a comment from another fantasy writer, Charles de Lint, about the changing modern fantasy market a few years ago, so maybe that’s what’s happening here. Their loss, my gain.

I ordered The Invisible Woman on March 5th. Joseph Stalin died on March 5th, something all sane people can celebrate. Other than that date, there is no correlation between Stalin’s death and Blaylock’s book. I received it on March 23rd. The Invisible Woman features the same two main characters from Pennies from Heaven (PS Publishing, 2022), Jane and Jerry Larkin. Jane runs a co-op in Southern California. Jerry now is busy fixing up an inn, having restored their own house. I’m still in the middle of reading the book, savoring every moment. Will this turn into a trilogy, or remain as two books? Not sure. Don’t care. I’ll keep buying anything Blaylock puts out there.

Book added: William Hope Hodgson short story collection

Recently I was in Houston, where among other things I visited a couple of bookstores. The first was in The Woodlands, a used bookstore in a converted house. This store is called Good Books in the Woods, https://www.goodbooksinthewoods.com – it appears to have been converted from an old residence into a bookstore with walls and walls of books. The SF section is small. Prices appeared to have no rhyme or reason; some paperbacks were cheap, others expensive. Some hardcovers were close to $100, others under $20.

Although I already had a couple of editions of Jack Vance’s The Eyes of the Overworld, I found a nice paperback edition that I didn’t have. The $8 cost made me hesitate, but these days finding any Vance book in decent shape is next to impossible.

As far as books that I didn’t already have, I came across a 1975 collection of short stories by William Hope Hodgson, Out of the Storm, published by Donald M. Grant. Grant would later publish three more Hodgson collections: The Dream of X, which I don’t have, plus The Haunted Pampero (1991) and Terrors of the Sea (1996) which I already owned.

Out of the Storm contains seven short stories, as well as quite a long biographical introduction from Sam Moskowitz, and is illustrated by Stephen Fabian. The price when published in 1975 was $10. I paid $25. I think was I surprised to see that book there, and not in the glass-enclosed “rare book” section, where books apparently cost $100 and more. Still, I was happy to find the book, as I like Hodgson’s sea stories.

Grant is perhaps better known as a publisher of Robert E. Howard and Stephen King’s Dark Tower series. They seem to have tapered off recently in the number of books published, so likely will become a defunct publisher at some point, if that hasn’t already happened.

Book added: Blaylock’s Pennies From Heaven

It’s unusual to see a hardcover edition limited to just 200 copies. However, that seems to be normal for PS Publishing out of the UK; they even publish books limited to just 26 copies at times.

In October 2022, they published Pennies From Heaven, a new novel from James P. Blaylock. Since I’m not tuned into all small press releases, I almost missed this book. The moment I saw it mentioned somewhere, I quickly placed an order via the PS Publishing web site. I expected it to be sold out, but a few weeks later received my signed and numbered (#13) copy of the book. There’s also a trade paperback edition, but I went for the hardcover.

Sadly, Blaylock now seems to have a niche audience. I thought mainstream publishers, or even Subterranean Press might be the place to find Blaylock books. Subterranean Press has published quite a few Blaylock books over the years, mostly in the Langdon St. Ives series. Sometimes these are signed, limited editions, sometimes a mix of signed and trade editions.

I’m not sure why this happens, but sometimes Subterranean Press seems to drop authors who they’ve carried for many years. Maybe someone more attuned to the small press market knows more about this. It’s not the first time I’ve seen an author having multiple Subterranean Press books and then suddenly switch to a different publisher. I suppose I need to get on PS Publishing’s mailing list now, in case more Blaylock books are on their schedule.

In Pennies from Heaven, we’re introduced to Jane and Jerry Larkin. The former works at a local co-op, while the latter is restoring their old house. Jerry comes across an old gold coin in the aftermath of an earthquake, which sets in motion a series of events. It seems that many years ago in their town a bank heist took place, and Jerry might have found some hidden treasure. They both come up against a battle-axe of a local woman, who turns out to be far more than she appears. It’s a quintessential Blaylock tale; no hint of the supernatural in this one, mostly weird hijinks and odd characters. The hardcover is sold out by now, but Blaylock fans can still get the trade edition from PS Publishing, or both online from the odd dealer or two.

Books added: Lansdale, Etchison, Shiner

While in Austin Feb. 15 and 16 to run the Austin Half Marathon, I stopped by a few bookstores.

Jor R. Lansdale, Sugar on the Bones (2024). I paid full price for this book, at Book People on Sixth and Lamar. None of the local bookstores in San Antonio had a copy, but Book People still had signed copies from when Lansdale stopped by some time last year to promote his book. I managed to read the Lansdale book in one day. It follows similar plots to previous books in the Hap and Leonard series. Perhaps the next book in the series will be called Long in the Tooth, as those two chaps are getting close to retirement age. This is only a slight dig at the books; since the main characters age with each book, at some point they will need to stop. At this point they’re in their fifties, and it gets tougher to fight and recover at that age.

Dennis Etchison, Red Dreams (1984). A collection of short stories, published by Scream Press. The book is inscribed by Etchison, as well as illustrator J. K. Potter, and signed by Karl Edward Wagner, who wrote the introduction. I wonder what happened to “Joe,” the recipient of the inscriptions when Etchison and Potter signed it in 1985, for this book to end up at Half Price Books forty years later… Red Dreams is the first book by Scream Press that I own. There’s no price listed on this book, though it did come with a slipcase. This small press released some other great books in the 1980s, but I’ve never come across any until now. There’s a note at the front of the book that this is the “Boxed First Edition,” limited to 250 copies. Scream Press, like a few other small press publishers from the 1980s/1990s, lasted just a decade or so before it folded.

Lewis Shiner, The Edges of Things (1991). This book was published by Washington Science Fiction Association in Baltimore as a limited edition. My copy is number 346 of 600, signed by Shiner, illustrator Alicia Austin, as well as editor Mark L. Van Name. It was originally priced at $45 when published in 1991. According to the U.S. Inflation Calculator, this converts to $104.27 in today’s dollars. That’s quite a pricy book. HPB had priced the book at $20, which seemed like an great price to me. I like Shiner’s stories and style, and it was a book long on my watch list. WSFA published a book in honor of the guest of honor at Disclave, a Washington, D.C. area science fiction convention, from 1989 to 1992. Last year I bought the first book they published, Lucius Shepard’s Father of Stones. The book in between these two is by Mike Resnick. I’m not sure if anything was published in 1992, when Pat Cadigan was the guest of honor. [Edit: apparently there was a book published in honor of GoH Cadigan in 1992, the last in this series.]

Peter Lovesey’s Diamond Series

One of the many mystery/detective series I’ve gotten into over the past few years has been Peter Lovesey’s Peter Diamond books; I’m not sure why Lovesey gave his leading character the same first name as his own, but it’s a bit confusing at times. At this point, I’m no longer sure which of the Diamond books I read first, as there’s now more than twenty of them. It might be Upon a Dark Night, or The Last Detective. According to my library database, the former is the first one entered, and the latter the second. The latter is also the first in the series. I might have started there, maybe not. I tend to start series out of order, since I buy them when I find them. Anyway, I found the first Lovesey book good enough to start looking for all of Peter Lovesey’s books. He has written other books, after all.

Of the 22 books in the Diamond series (if I’m correct regarding that number), I owned—until recently 19 books in the series. The 22nd book was recently published in hardcover, so I’ll discount that one for now. It also might be the last in the series, but I’ll need to wait for the paperback to be sure. Of the other two, one was the 20th in the series. The other, the seventh book in the series, is a far more consequential book. Since I’d read books 8-19, plus book 21, I knew that a singular and major event happened in Diamond’s (fictional) life at some point. Book seven, Diamond Dust, covers that event. It’s a tough read, for sure, knowing the fate in that book of someone close to Diamond.

Most of the books featuring police detective Peter Diamond take place in (or around) Bath, England. I’ve been to Bath twice in my life. The most recent visit was in 2024, where I spent three days in the city, walking the streets (and running through a fair number of them), seeing the sights, and falling in love with the town. My previous visit was in 2000, where I spent just one day there, and saw only a minuscule part of the city. Still, it was an important visit back in 2000, since I connected Bath at that time with Jane Austen. As an English major in college and a Jane Austen fan, that visit meat a great deal to me at the time.

Bath, despite being a touristy town (myself admittedly being one of those tourists), is a wonderful place. The city is ancient. It’s historic. It’s bisected by a river, which always is a thrill in itself. There are hills all around the city. Stonehenge is nearby, London and other places a mere train ride away. There’s the Abbey, the Roman baths, the Crescent, Pulteney Bridge, the weir, so many other features. It has a wonderful Waterstones bookstore, plus far more things that I never got to see. And, lots and lots of tourists. In other words: I love Bath (well, apart from the tourists, even though I was one of them…).

That aside, back to Lovesey’s Peter Diamond series….

All the books I have of Lovesey’s were published by Soho Crime. Once I started to buy and read the trade paperback editions, I had to continue with that format (Okay, so I do have a hardcover or two). I also read them out of order, more or less as I found them. Some, I bought new. Other books, because they weren’t in my local bookstores, I bought used—when and if I came across them in local used bookstores. A handful of the books I found in a specialty bookstore, Murder by the Book, in Houston, Texas. Even there, they didn’t have all the books as new ones.

In January, 20025 I came across Diamond Dust, one that I’d been hunting for quite some time (viz. book seven). This book was in the small used books section in Murder by the Book. I don’t visit Houston often, but I was able to swing to Murder by the Book for slightly less than an hour in January 2025. While there, I was thrilled to find a copy of Diamond Dust in great condition for a used book. Strangely enough, the other two books in the series that I lacked also were there, but I didn’t realize it at the time for one of them, and I skipped the other as it was a hardcover edition, and I have all the rest in trade paperback.

Part of the delight in the series is the setting: the city of Bath in England. Part of it is the main character himself: the overweight, clumsy, yet efficient and old-fashioned detective, Peter Diamond. He’s such a funny person, bumbling yet not stupid, that one can’t help but like him. In the series you also see the changing landscape of local policing. When I visited Bath in 2024, I walked past the supposed HQ of the Bath police department (or former HQ(, in Manvers Street; it’s near the train station, and close to the “center” of town—the area around the Abbey. I really wanted to go inside and ask if anyone had read Lovesey’s books, and if so, what they had thought of them. However, I’m sure I would have been disappointed. I don’t think I ever saw an officer of the law while in Bath. Would it have mattered? Probably not. Bath in real life is nothing like the fictional world. However much one might wish that someone like Peter Diamond existed—they don’t. Which is sad, I think.

Still, if you like good old fashioned English crime stories, seek out Peter Lovesey’s books. You won’t be disappointed. Meanwhile, I’m going to read Diamond Dust slowly, since I known there are powerful emotions at work in that book. I will try not to skip to the end. It’s hard, sometimes, dealing with the stress in a book like this. But, I must resist that temptation, since Diamond means so much to me. Let it all work out, I tell myself.

And then, once I’ve read this book: onward to those other two remaining books in the series.

Books added: Four Arkham House books.

I know that I’ll never collect them all, but I do like to pick up Arkham House books when I come across them. In this case, I recently acquired a group of four books by quite disparate authors. When I looked for information about the authors and when their books were published, I turned to Sixty Years of Arkham House by S. T. Joshi. The index in this book isn’t entirely accurate, and each entry is relatively short, covering publication date, number of copies, and a little more. Sometimes there’s an listing of contents for poems and short stories in the volume, but I guess that when covering 200 books there’s not too much room for anything else.

Joshi’s book lists 193 items published by Arkham House; I now own a mere 35 of them. This number is just under 20%, an almost insignificant percentage. I’m quite happy with the ones that I have, though, and I’ll only look for others if a) they’re within my budget and b) the condition looks decent.

The Face in the Mirror, Denys Val Baker
Published in 1971, and now the earliest of my Arkham House books; 2045 copies printed. A slim volume of tales set in the author’s native Cornwall. Prior to this book the earliest Arkham House book that I owned was published in 1975. Having now come close to the magic decade of the 1960s, it makes me quite excited to have a copy of this book.

The Height of the Scream, Ramsey Campbell
Published in 1976; 4348 copies printed. Campbells third Arkham House collection. I own just a couple of Campbell books. One is part of Borderlands Press “Little Book” series. The other is a collection from Dark Harvest with both Campbell and Charles Grant stories (Dark Harvest’s Black Wine). Aside from that, I may have a few anthologies where Campbell has contributed a story.

Dwellers in Darkness, August Derleth
Also published in 1976; 3926 copies printed. The eighth and last Arkham House collection of Derleth stories. Derleth was one of the founders of Arkham House. To acquire the prior seven of his collection likely would bust a few budgets.

The Darkling, David Kesterton
Published in 1982; 3126 copies printed. Kesterton’s name doesn’t appear in the index of Joshi’s 1999 book, and the book title’s page number listed in the index is incorrect. Joshi’s also quite dismissive of the book and author in his note, calling it a “‘Slushpile’ submission that made it’s way to publication.”

It’s such a shame that this major publisher of weird fiction fizzled into almost nothing when it had the major IP of the “Arkham House” name behind it. They’ve hardly published anything in the past two decades. Most of their books published prior to 1970 are hard to find or quite expensive. This is as expected, given the name, as well some of the authors works in that group. Arkham House released N copies for each of their books, no special editions. Golden Gryphon did the same. Most other small current presses will have two or three states: trade hardcover, limited, and/or ultra-limited. Trade books in these states don’t list how many are printed. Limited will list the number of copies in this state, while the ultra-limited usually are lettered books limited to 26 copies.

I’m by no means a Lovecraft fan, but recently saw a bidding war online for the first two collections of his letters rise from $0.99 to nearly $150. That’s a pittance if you interested in early Clark Ashton Smith, or Ray Bradbury’s Dark Carnival (I’ve seen these listed upwards of $6,500), or even William Hope Hodgson’s House on the Borderlands book (close to $1,000). Basically, all the early books fetch prices only the serious collector would pay.

Murakami Manga

I’m a huge fan of Haruki Murakami’s fiction. However, I don’t really read manga, the Japanese comic book art form/genre. Still, recently I picked up a pair of Murakami manga books (there’s a third one—at least—out there that I now need to find).

One book—I don’t know if there’s a sequence to them—contains four stories. The other, three stories. Previously, I’ve read all of these in narrative form. “Birthday Girl,” “Where I’m Likely to Find It,” and “The Seventh Man” appeared in the collection Blind Willow, Sleeping Woman, while “Super Frog Saves Tokyo” appeared in After the Quake.

In the other collection, “Thailand” was in After the Quake, while “The Second Bakery Attack” was in The Elephant Vanishes. As for “Samsa in Love,” it appears in Men Without Women., which is a strange choice since there’s a woman in that story. Although, how she’s drawn might lead to some confusion. “Samsa in Love” is, after all, an inversion of Kafka’s “Metamorphosis.”

So, several stories all drawn from various sources. I’ve now read four of of the seven manga tales. Maybe it’s my lack of knowledge of that genre, or graphic novels in general (although I do own a dozen or more graphic novels), but the drawings some across as oddly shaped, distorted almost. There are weird “sound-texts” or words that try to represent non-verbal sounds. Some stories are funny, some meander and go nowhere. I love Murakami’s slow and measured prose, how he makes the normal weird, and the weird normal, but I’m not sure about these manga versions. Is this because I prefer my own inner voice, my own vision of the characters and events? Maybe something to think about. Almost all the other graphic novels I own are original, although there are some based on stories or novels. Perhaps the art matters, as those are drawn, well, better.

Of course, now I’ll need to re-read the stories, just to see what was left out of the manga versions, if anything. And, I have just one unread Murakami book to plow through. I do hope his next novel reaches the heights of previous good books, as his latest was a disappointment.

Book added: Night Visions 3

Published in 1986 by Dark Harvest, this anthology contains stories from Ramsey Campbell, Lisa Tuttle, and Clive Barker, and edited by George R. R. Martin (Martin would later have stories in Night Visions 5).

The sole remaining book in the “Night Visions” anthology series from Dark Harvest (1984 through 1991) that I did not own, and long on my want list. Purchased for $42 on the very last day of 2024. Though it’s not pristine, the book is in great condition. As a bonus, it’s signed by Lisa Tuttle, though this copy is the trade edition. Seven stories by Campbell, three by Tuttle, and the first appearance of Barker’s “The Hellbound Heart.”

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