Lost worlds and ports of call

Category: Uncategorized (Page 33 of 35)

Who celebrates libertarian fiction writers?

In Wendy McElroy’s book review of Stephen Cox’s recent Isabel Paterson biography, “Isabel Paterson and the Idea of America,” she wonders:

Why has Paterson been so neglected? Or, more broadly, why did and does the libertarian movement — or radical individualism in general — not celebrate and embrace its fiction writers in the same manner as the Left? Upton Sinclair, Lillian Hellman, Max Eastman, John Steinbeck, Sinclair Lewis — these left-wing fiction writers were Paterson’s contemporaries. Like her, they had a dramatic impact on the culture and politics of their day. Unlike Paterson, they have claimed important niches in history, largely because of the attention of left-wing biographers and historians.

Well, one group of libertarians has celebrated libertarian fiction for almost 25 years – the Libertarian Futurist Society.

Laissez Faire Books vs. The Black Arrow

A firestorm ignites over at Sunni Maravillosa’s site regarding Laissez Faire Books decision not to carry Vin Suprynowicz’s novel, The Black Arrow. I have not read the book, so I cannot comment on the alleged “gratuitous vulgar sexual content” mentioned as the reason for not carrying the book. Nor am I as passionate about the book as some of its readers. I respect LFB’s decision not to carry the book, and I also can understand the anger and outrage from the book’s fans. For over 21 years I’ve supported and ordered books from Laissez Faire Books. I’ll continue this, but LFB never has been the sole source for my books. Meanwhile, the book is available at the publisher (linked above) and Amazon.

Pippi Longstocking on the stage

Pippi Longstocking becomes a ballet. I read several of Astrid Lindgren’s books as a child, and remember Pippi as a fun and strong character in several novels. It’s amusing to read how she inspired fear in the establishment as an independent-minded child, and now is lauded as a hero of female liberation.

Politics at Cannes

Truth about movies and prizes at this year’s Cannes Film Festival. Quoth director Gilles Jacob about Michael Moore’s Fahrenheit 9/11, “it was a question of a satirical tract that was awarded a prize more for the political than cinematographic reasons, no matter what the jury said.” Nah, really? And now we expect the jury to drop their politics this year? We are expected to believe that last year was an anolamy, perhaps brought about by the election year? I seriously doubt anything will change.

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