Paperback, hardback, limited edition hardback, signed limited edition, signed and numbered, signed and lettered, leather, slipcased, specially bound, etc. First editions, first hardcover edition, first US or British edition. A book sometimes is published in different states, even by the same publisher. Other books may appear under different imprints; are those books then first editions? The variation in an edition might appear minor, or there will be extras depending on the rarity of the state. The price to the buyer will rise accordingly. And, should the book sell out, often the price will sky-rocket in the secondary market. The price also is dependent upon the author, the publisher, or both. Some books get only a hardcover and paperback edition. Some get only a paperback edition (yet some of those might re-surface in a small press hardcover edition, years later). Other books are published only in special editions, while some run the gamut from paperback to special edition. And some appear only as print on demand, or in electronic format, or audio format.
Many has been the time when I’ve wondered about the “special edition” format. Small press publishers will, more often than not, publish books in several different states. They’ll call them trade editions, limited editions, or numbered and lettered editions. They may change the format of the book, add signatures from authors, editors, illustrators, etc. The more “special” an edition, the higher the price. Some buyers will gravitate to the rarer editions, seeking a slipcased and lettered copy. Is this book any better than a trade edition from that same publisher? Does a number and signature mean than much? If you bought a trade hardcover edition, and then had the author sign it (or inscribe it), would be any different?
Recently I did a quick count, and around 10% of my collection of books contain the author’s signature. Only 4% of my books are “numbered” in the more special limited edition state. None are of the rarest of rare states, although there are a few with slipcases. On a few occasions I have brought books to conventions or author signings, where authors have signed paperbacks and hardbacks, sometimes inscribing the book to me, even though they don’t know me (although I did know one of two and that meant even more to me when they signed the books).
I do feel a certain frisson when I know that a book I own is limited to a certain number of copies. The smaller the limitation, the greater than feeling, perhaps. Probably the hardcore collectors feel that emotions to a greater degree.
And yet, at the same time, having a signed paperback or an inscribed book means just as much to me, since in the latter case it means that I met the author, maybe spoke to him or her. How does having a couple of Ray Bradbury signed books from an in-person event compare to a handful of Jack Vance signed books when I never met Vance? If I bought a signed Bradbury book now, given that he passed a few years ago, would it mean as much as those two signed books that he handed back to me in person? No, definitely not.
And, so, when I buy a book these days, the signature in place doesn’t really matter too much to me. Instead, when I buy a “rare” book, it’s the hardcover that I want, not the rarest variation of that hardcover. If I own the paperback, and a hardcover becomes available, I’ll pick the cheapest hardcover, even if that means the book costs more than $20 or $50. But, at the moment, never above $100. At some point, given our government’s propensity to push inflation as a norm, I know that barrier will at some point be crossed, and I will have to spend $100 for a book. A month ago I passed on a book I really, really wanted, just because it was listed at $149. That price point’s something that will be hard for me to accept, and maybe if that’s becomes the new norm I will need to re-think my approach to books, and stick to what I have, or lesser editions.
