A Little Yellow Book of Carcosa and Kings, by Robert W. Chambers was published in 2022 by Borderlands Press. Limited to 500 copies, it quickly went out of print. I found a copy online recently for a decent price vs. the usual “twice the going rate or far higher” prices usually listed for out of print books.
This book is numbered and signed by editor Lisa Morton, as Chambers died quite a few years ago. I’ve read a couple of Chambers’ short stories in paperback collection that contains more of his stories than the Borderlands Press book. Those stories weren’t as gripping as some other writers from the same time period, but apparently he has a strong core of fans. It contains the four stories related to the King in Yellow: “The Repairer of Reputations,” “The Mask,” “In the Court of the Dragon,” and “The Yellow Sign.”
A Little Yellow Book of Perilous Tales, by Sax Rohmer (2024). This latest entry in Borderlands Press’ little books series is edited by one of my favorite writers, F. Paul Wilson. Wilson’s written his own imitations/pastiches of Rohmer’s Yellow Peril tales. So, what better writer to bring out a new collection of Rohmer than someone familiar with Rohmer’s work, someone who lacks all fear in the publishing world? Also limited to 500 copies, and signed by Wilson, it’s the fourth “yellow” books in this series. (In both this case, and for Chambers, the “yellow” in the title certainly applies).
I’ve never read anything by Rohmer, but I’m familiar with the name. Born Arthur Henry Ward, Rohmer was a English novelist whose first published story appeared in 1903. Rohmer died in 1959, succumbing (ironically) to Asian flu. Noted for his “Fu Manchu” tales, Rohmer’s work first arose in the aftermath of the Boxer Rebellion. This makes sense, given the “yellow peril” nature of his tales.
Perilous Tales collects four stories, three of which feature another Rohmer character, Madame de Medici. Wilson’s made his own spin on this character in his Repairman Jack novels, plus a couple of short stories. “The Zayat Kiss,” a non-Medici tale, features an early appearance of Fu Manchu. There’s a great introduction by Wilson, which covers his interest in and literary relationship to Rohmer. He also wrote brief prefaces to each story. Such small details are highly valued, at least by me.
As far as the series of Little Books from BP goes, I now only lack seven books. All of those seven are in the hard-to-find or damned-expensive variety. All of those seven are long out of print, so finding them at “acceptable” prices will be a matter of luck. It will be interesting to see where this series goes, as there are many possibilities, both in terms of the past and the present.
Over the years, Gauntlet Press has published many of F. Paul Wilson’s books, often (but not always!) limited to 500 copies, and usually priced at $60 (or higher, if lettered vs. simply numbered and signed). I own the complete set of the main “Repairman Jack” novels from Gauntlet, but at some point I drew the line with the two trilogies of “Young Jack” and “Jack’s Early Years.” The first trilogy was centered around Jack as a teenager living on the edge of the Jersey Pine Barrens. The second trilogy picked up a few years later, as Jack arrived in New York as a college dropout, and before he picked up the “Repairman Jack” monicker.
However, as a result of recent impulsive actions and approachable prices, I now have all three books in one the Gauntlet Press “early years” trilogy, Cold City, Dark City, and Fear City (published between 2012 and 2014). All three are signed books, and fit in nicely with my other Gauntlet Press books. For some strange reason the second book in the trilogy is limited to 400 copies, while books one and three are limited to 500 copies!
Another trilogy, under the monicker “ICE,” includes the novels, Panacea, The God Gene, and The Void Protocol. When I first heard of these books, I went the Tor hardcover route. Then, I found a copy of Panacea online for a bargain price. When I recently stumbled across the Gauntlet Press edition of The God Gene, I submitted a bid and ended up the winner. This copy is marked “M” as part of a lettered edition, vs. the typical numbered editions that I’ve owned of the Gauntlet Press books. Now that I have two of the three books in Gauntlet editions, the third volume beckons.
I also bought, at what I consider a reasonable rate, the first book in a(nother) trilogy, one that was a collaboration between FPW and Tom Monteleone, published by Borderlands Press. The trilogy is called the Nocturnia Chronicles, aimed at the young adult market. The first book in this series is called Definitely Not Kansas (published in 2013).
The title seems to be a play on a line from the famous movie, The Wizard of Oz (“Toto, we’re not in Kansas anymore,” if I remember it correctly). The books were published as a collaboration between two small press publishers, Borderlands Press and Gauntlet Press, with the hardcover edition limited to 350 copies, and signed by both authors (paperback editions also were published). The signature sheet is slightly smaller than the book, which is a bit of a head scratcher. The book contains an afterword section by Wilson and Monteleone where they describe how they conceived of the series (FPW’s comments also appear in the third volume of his short story compilation, The Compendium of F). The next two books in this series—Family Secrets and The Silent Ones—now are on my radar.
Lastly, Double Threat and Double Dose were a pair of linked books published by Gauntlet in partnership with Borderlands, in 2022 and 2024. I recently won an online auction for the Gauntlet/BP editions., and read both books over the course of a weekend. They fit into Wilson’s “Secret History” world. While most of the Secret History books take place on the East Coast, these two books take place in the Southern California desert. They’re also a riff on one of his earlier books, Healer, switching the gender of the main character, and placing her in the present vs. somewhere in space in a future history. There are some loose ends in the book that probably never will get resolved, but on the whole they were an enjoyable read. Aside from the link to Healer, there’s also a link to his novella, Wardenclyffe, the ICE trilogy, and maybe some other Easter eggs that I didn’t catch.
As an aside, I have some quibbles with the design team at Gauntlet Press, as well as Borderlands Press. First, there is no consistency with the “City” books in the covers. Neither the spine nor the front cover use a consistent font, with Cold City on the spine in massive bold white text, and Dark City and Fear City in smaller text but one in all caps and the other in title case. When all three books are side by side, aside from the word “city” in the title, they look like they’re published by different companies. Second, why publish two books limited to 500 copies, and one limited to 400? This makes absolutely no sense, but then Gauntlet was never consistent with the Repairman Jack novels. Although most are limited to 500 copies, four are limited to 475 copies, one to 450, and one just to 375. Maybe there are no more than 375 completist collectors…
The same criticism of design consistency could be said for the Nocturnia books; although I only have the first one, I have seen images of the second and third books. If a publisher knows they’re going to have a trilogy on their hands, maybe keep the design somewhat consistent? This isn’t just an issue with these books. The Tor hardcovers of the teenager Repairman Jack started out one way, then completely changed. Maybe that was a marketing move; the person in charge of the first book left, or someone decided they weren’t moving fast enough. In the case of small press publishers, unlike someone like Tor Books, you’re likely not seeing your book in the local Barnes & Noble, so please make it a point to come up with a plan for all the books in that series.
At least Double Dose and Double Threat are somewhat consistent in design, although whoever printed the cover of the first one, clearly didn’t measure the book, as the red border of the spine bleeds at least a quarter of an inch onto the front cover. As far the font used for Wilson’s name on the books, the designer should be ashamed, as certainly they had far better fonts to pick from than a Courier wannabe? Also, the lettered edition of Double Threat apparently merits a bonus “afterword,” which is frustrating. Then again, maybe that was the incentive to shell out more money for that edition.
I went slightly above my hard budget for this entry in the Borderlands Press little book series, Robert McCammons’s A Little Amber Book of Wicked Shots. Although most of the “little books” are limited to 500 copies, in this case they splurged and went up to 750. I’m not quite sure why exceptions to the 500 number rule have been made in a fairly small number of cases.
Whenever I’ve seen this McCammon book for sale, it’s usually been for over $100. In this case, two books popped up around the same time and for the same amount–each for $75. When I expressed interest in one of these books, and the seller enticed me with a slight discount, I went ahead and bought it. As a McCammon fan, I dove into the book right away.
McCammon’s book contains three short stories, each preceded by a recipe for a unique drink mix—hence the title of “Wicked Shots”. The drink itself appears in each story, but isn’t an integral part of it. The first story is about a serial killer of children who encounters a ghost, with drastic results. Set in the late 1950s in Alabama, it’s a chilling tale set in a particular time, but featuring a type of killer who knows no bounds in time. The second, about a former professional hockey player in New York, bleeds into fantasy and alternate realities. The third, about the dog-eat-dog corporate world, lacks a little power compared to the other two stories.
With this book, I’m now down to eight out of the 60 plus books in the Borderlands Press little book series that I lack. Of course, those remaining eight books are the hardest and most expensive books to find (four are from Series I alone). Twice I’ve missed out on bids for one particular author. As far as the others, each copy that I’ve seen for sale has been outside my budget. All save one of these books are early in the series. For some unknown reason, the one that’s more recent is either hard to find, or it’s priced far beyond other books published around the same time. De gustibus, I guess.
F. Paul Wilson’s novella, The Peabody-Ozymandias Traveling Circus & Oddity Emporium, published by Necessary Evil Press, has eluded me in a couple of attempts to buy the book. When I found it for sale online at Half Price Books for $50, I gritted my teeth and paid the sum. Published back in 2007 and limited to 500 signed, numbered copies and 26 lettered copies, of which this is #133. From what I’ve experienced, this book usually sells for $100 for more. This copy has some faint spotting at the top, but otherwise looks in good condition.
TPOTCOE, to shorten the title, is comprised of material originally published in the HWA anthology, Freak Show, with added material to flesh it out and make it a coherent story. As it’s not included in The Compendium of F, Wilson’s three book set of collected short stories, I had to get this book. Also, I used to own a paperback copy of Freak Show, but lent it out years ago and it was never returned.
The story fits into Wilson’s wide-ranging Secret History of the World, in this case about a traveling circus of “freaks,” all touched by the Otherness, all apparently eager to see it take over the Earth.
Even though there are nine Borderlands Press little books that I don’t have, all of which are either insanely hard to find, or far beyond prices that I’m willing to pay, I continue to buy new books in their series. The latest book in their “Past Masters of Horror & Fantasy Series,” of which this is their first in “Series V,” is a collection of stories by Arthur Conan Doyle. Entitled A Little Orange Book of Odd Orchestrations and limited to 500 copies, their choice of authors continue to surprise me.
I bought this copy from the publisher, who charges a premium for shipping the book in what’s basically a padded envelope mailer. C’est la vie. Still, I’d rather support the publisher, whenever possible, since that will help them to keep publishing books in this series.
My copy is numbered #17 of 500, and signed by the editor. With four more books in Series V before they either switch to a different theme, or decide to continue with “Past Masters” one wonders who is next on the list. Kipling, maybe? I expected Clark Ashton Smith (CAS), since they’ve published H. P. Lovecraft and Robert E. Howard, but so far that hasn’t happened. Hello, BP, I’m willing to edit any Jack Vance or CAS collection…
Between 2003 and 2008, Subterranean Press published three books by the noted fantasy writer, Charles de Lint, collecting many of his early stories. These books, A Handful of Coppers, Quicksilver & Shadow, and Woods & Waters Wild, were a few of the many de Lint books published by Sub Press around that time. Until recently, I’d remained ignorant of these books (strange, given the fact that I was a huge de Lint fan since the early 1990s). Over the years, I’d picked up only a couple of de Lint’s Sub Press books: Triskell Tales (2000) and The Road to Lisdoonvarna (2001), probably because the price at the time was “right,” of I found them in person at a convention (at that time I didn’t really buy books online). More than two decades passed before I bought any other of de Lint’s Sub Press books.
All of de Lint’s Sub Press books went out of print fairly quickly. Checking their web-site after the fact resulted only in regret and envy. Recently, as I’ve started looking more at the secondary market to find some out of print books, I’ve become aware of the other Sub Press de Lint books, copies of which now are available to purchase from online resellers. In some cases, the prices are beyond the original cover price, and a choice must be made. In other cases, I “go for it” and hold my breath as I await the shipment to see if the books matches the online description.
I bought the first two “early stories” books last year (2023), inspired as I was while in the midst of re-reading some de Lint novels. For many years I bought any paperback or hardcover de Lint book I could find in local stores (when that was an option, before the internet and bad business decisions killed several physical stores), then I took a break from SF and fantasy books. In the past couple of years I’ve looked back at favorite authors and tried to find books that I missed. Hence, the search for some de Lint books. Then, a few days ago, tempted by a huge discount, I bought Woods & Waters Wild, the last of the three collections of early tales.
All three books in this series that I now own are signed by de Lint. They’re not “limited” in the sense that they are numbered or granted some special format. The “signed, lettered editions” were listed at $175, $200, and $200, respectively, as stated inside the covers of my books.
Who pays such a price, I thought? Is a number in a book worth far more than $20, or the then original cover price of $40? To someone, sure. To me? Not so much. I have no idea how many copies were published in these states. They do say “signed, limited edition” in the jacket flap, but there’s no indication as to the limitation number. It would have been nice to see something, maybe on the last page of the book, stating that it was limited to X number of copies, whether that was 1,000 or 2,000 or other.
There are still quite a few of de Lint’s Sub Press books that I don’t own. Some are less tempting than others. I’ve already acquired Eyes Like Leaves and Promises to Keep. Some of these books appear to be aimed at the juvenile market. If the right opportunity arises, maybe I’ll try to get more of his books. There’s a measure of regret in any current purchase actions, as I’m not benefitting either the author or publisher. Either you jump right away and buy what the publisher offers, or you look for a dealer who bought books at a discount who now sells them at a premium, or a prior buy offloading their copies. Sometimes you get lucky and the seller offers the book at a discount. Buy it then, reader, buy it then.
My only quibble is that the publisher wasn’t consistent in their font and format used for these three books. This is a pet peeve of mine: if a publisher knows they are planning a series of books by the same author, don’t freakin’ change the format, especially on the spines, of the books in that series! Even the font inside the books is different. You’d think that different artists, editors, typesetters were hired with each book, and every one of them said, “let’s do something different!”
I whiffed on guessing the latest volume in Borderlands Press series of “Little Books.” After a grouping that included Robert E. Howard and H.P. Lovecraft, I thought the next one would be collection from their contemporary, Clark Ashton Smith. Instead, the author was Edgar Allan Poe, who died in 1849, more than 40 years before Lovecraft was born.
Perhaps no other American writer is more famous than Poe, although one could argue cases for Henry David Thoreau, Herman Melville, and Nathaniel Hawthorne. These three are known primarily for one work each, while Poe is known for his vast body of work. Poe wrote stories that today would be considered horror, science fiction, and mystery. He wrote primarily short stories, along with some poems. Melville is known for his massive novel, Moby Dick, while Hawthorne is known for The Scarlet Letter (although he wrote a several other great books, and many significant short stories).
Many collections of Poe’s stories and poems exist. I own one called The Unabridged Edgar Allan Poe, which replaced a previous book that I believe was called Tales of Mystery and Imagination. The unabridged book supposedly contains ALL of Poe’s fiction and poetry, at least those that were published. Poe published many versions of his stories and poems; this book purports to contain the first version of each story. Does that matter? Perhaps not.
Regardless, Borderlands Press surprised me when they announce Poe would be the focus of a Little Book. I ordered my copy a week ago, and received it on May 31, 2024. This collection, entitles A Little Gold Book of Grotesqueries, was limited to 500 copies, signed by the editor. The “gold” in the title, by the way, has been used three times prior, for books by Neil Gaiman, David Morrell, and Lee Child.
How does this book, with its 155 pages, compare to the 1,178 pages of the Unabridged edition? Owner and publisher of Borderlands Press, Thomas Monteleone, edited the Poe collection. He penned a personal introduction, writing about how he first was introduced to Poe’s fiction at the age of 14. I, too, read Poe as a teenager, but probably more so in my early twenties while at college. This books collects a mix of stories and poems. It contains the famous poem, “The Raven,” although it leaves out perhaps the most famous short stories of them all, “The Cask of Amontillado.” Nonetheless, it’s a great collection of Poe’s short works.
As an aside, I do think the editor was lazy to reprint the “About the author” text word for word from the first paragraph in Wikipedia’s entry on Poe.
Here’s another F. Paul Wilson book that I picked up as part of my recent quest to find all Wilson books that I don’t own (I think that list is down to less than five at the moment, though I’m not counted books with Wilson contributions vs. his stuff alone, or limited edition versions of books that I already own).
The Christmas Thingy was originally published in 2000 as a hardcover be Cemetery Dance in a limited edition of 350 copies. It’s since been reprinted in trade paperback editions, but still remains as a somewhat obscure book. For a time. Wilson offered to sign books as a gift via the old Repairman Jack forum web site. I didn’t really pay much attention back then. Lately, I’ve been on a Wilson kick, and I found an opportunity to acquire a limited hardcover edition of this book.
Originally published in 2000, this edition was priced at $20, which seems low for a book limited to 350 copies. Ironically, I bought the book in 2024 for $20 from Half Price Books (HPB), which I thought was a bargain, as I’ve seen the book listed on eBay and Abebooks for over $75. HPB is a strange bookstore. It’s a chain, selling mostly used books at half price, although it does mark up collectible books, sometimes at reasonable markups, sometimes at insane prices. I recently bought Robert McCammon’s Baal, the Subterranean Press edition, from HPB for $50. The books must be listed by individual stores, as another copy of the same edition is listed for $150. I suppose it depends on the person listing the book, who then makes the decision on the price based on a certain knowledge, or maybe caprice. I’ve seen a Neil Gaiman book listed for $750, and someone actually bought it. I’ve also seen Jack Vance sets listed for $500 or more, and no doubt someone desperate enough will shell out that many dollars for those books.
When buying online, you wonder about the condition of the book. This copy of The Christmas Thingy, number 32 of 350 signed by Wilson and illustrator Alan M. Clark, arrived in great condition. The book was in a slipcase, with an inlaid slip from “Beckworth Auction” as lot number 535. This makes me wonder: why it ended up in an auction, who bought it and what did they pay for the book, and, lastly, why did it end up in Half Price Books? This particular book’s long twenty-four year trip finally ended up with me, which is a strange journey indeed. I wasn’t as lucky with the next addition…
Occasionally I’ve been lucky at HPB when shopping in the store. Many years ago I found the first edition of Dan Simmons’s book, Song of Kali, for only $5.95. Another time I found the 1984 horror anthology, Dark Forces, signed by a dozen contributors, including Stephen King, for $8.95. I’ve found a few Subterranean Press books at reasonable prices, and some I have place back on shelve after experiencing sticker shock. On other occasions I have skipped books that I regretted not picking up, or ended up with a copy of two in horrible condition, just to have a reading copy. You walk into a used bookstore with no idea of what you will find. Sometimes I walk out with an exciting book, sometimes with nothing at all. Still, while in the store, you can generally check the condition of a book.
Jack Vance is my all-time favorite writer, and I own (almost) all his books. I say almost as I don’t have any books from the Vance Integral Edition (VIE), which collects ALL his works, in the author’s preferred state and with his preferred titles. When the VIE was published I signed up for it, but when it came time to pay I didn’t think I could afford the entry price, so I dropped out. Now? Well, a price for anything VIE on the secondary marked is insane, if you can even find a complete set. Even single volumes fetch a premium (but so do the Underwood-Miller editions).
The Gray Prince appeared in hardback from Bobby-Merrill in 1974. For many years I owned only a copy of the DAW paperback edition, published in 1982. I’ve read the novel two or three times, and it really doesn’t stand out as a unique Vancian novel; rather, it follows a theme similar to several other novels: the idea that “ancient” races who see themselves as rightful owners/rulers are not so ancient after all, but others have preceded them. The cover is well done, however.
Recently, I saw an opportunity to get a hardcover version at a somewhat decent price, and so pulled the trigger on that purchase. I ordered this online from Half Price Books, the same day I ordered an F. Paul Wilson book (see below). The books arrived a week apart, so kudos to the store that shipped the Wilson book, vs. the store that shipped the Vance book. I really now only need a hardcover copy of Maske: Thaery (I do own a book club edition of this novel, but that’s not the same). Yet, I strongly wish that U-M had published editions of both books, back when they specialized in Vance’s works.
The cover of this edition is, to put it mildly, horribly generic. Still, it’s nice to replace a battered paperback copy with a broken spine. The story was originally published in Amazing Science Fiction magazine in two parts in 1974, under the title, The Domains of Koryphon. Maybe that title was restored in the VIE.
The book that I received was in poor condition: the spine was tilted and there was significant spotting on the edges of the paper. This 1974 copy did not hold up well. It’s signed by Vance, but, had I known about the condition I would not have bought it. It’s an issue with any online purchase. I’ve bought a few books online from Half Price Books, and this is the second one that’s been listed as fine, but was anything but fine.
Ah, the Little Book series from Borderlands Press. Somehow I suckered myself into trying to collect these books, before I knew what a daunting task lay ahead. To date—Spring 2024—almost 60 little books have been published in the series; I lack nine of the books, all impossibly priced. Although sold by the publisher for around $30 (and rising, not including what I see as an excessive shipping charge), almost all the books go out of print quickly. A few are available on places like eBay or ABE Books from dealers, usually marked up depending on the name recognition of the author. The hard to find books are priced accordingly, and those Nazgul Nine remain outside my current budget.
The series started back in 2003 with John Maclay’s vampire stories, and continued at irregular intervals with a few books each year (although there seems to have been a gap between 2005 and 2014). The most recent edition is a set of stories by perhaps one of the most famous names in horror fiction. No, not Stephen King—H. P. Lovecraft. This lean-faced misanthrope from Rhode Island is loved by some, hated by others, indebted by almost all modern fantasy and horror writers (whether they admit it or not). Lovecraft’s little book was published in March 2024, edited by S. T. Joshi. It’s part of a series of “past masters of horror” and followed another famous name–Robert E. Howard. In order of when they were acquired, here are the most recent additions to my Little Book collection.
Owen King, A Little Bronze Book of Greebles. #PC of 500. Part of the set of books in Volume 3 / Series III and signed by Owen King. It contains mostly short pieces of commentary, plus a couple of short stories. If it’s limited to 500 copies as my book says, then how come there are PC versions?
Henry S. Whitehead, A Little Orange Book of Voodoo Tales, #99 of 500. Signed by editor, Thomas Tessier, it contains five short stories. Until I bought this book I’d not heard of Whitehead. Past of the Volume 3 / Series IV, also known as the “Past Masters of Horror” grouping, as are the following three books. These books tend to sell out shortly after publication. Several of the past master of horror are unknowns. Getting them back in print, even just a few stories, is a great feat.
Robert E. Howard, A Little Bronze Book of Weird Tales, #28 of 500. Signed by editor, P. Gardner Goldsmith, it contains 11 short stories. Most, if not all, of REH’s stories have been collected elsewhere. I have only a few of Howard’s books, all paperbacks of various hue. He’s a major influence on the field of fantasy, though is known mainly for his Conan character. Died tragically by his own hand at the young age of 30. Might have become a major American writer had he lived. My copy has a sad spine lean, though I bought it directly from the publisher. Already sold out, which is not surprising.
Saki, A Little Red Book of Wit & Shudders, not numbered, but signed by the editor, Stuart Davis Schiff. Supposedly limited to 500 signed copies, but is that really the case? This Saki book doesn’t have any numbering. My Owen King book is marked as PC, aka presentation copy, so it does appear there are more than the advertised 500 printed up and signed. I have seen other copies of this title listed for sales on the second-hand market and advertised as “numbered X of 500,” so did they just print extra copies for the fun of it? I bought this from a dealer, so who knows. Contains 18 short-short stories–the book is only around 150 pages long, so that averages to just over eight pages per story.
H. P. Lovecraft, A Little Silver Book of Supernatural Stories, #290 of 500 copies, and signed by the editor, S. T. Joshi. Contains nine stories, all likely appeared elsewhere many times. But, what’s a Past Masters of Horror series without Lovecraft? There was a time when it was impossible to find any of Lovecraft’s fiction, unless you sought out Arkham House editions. These days Lovecraft is big business, with multiple multi-volume editions of his work churned out almost annually. Perhaps he slipped into the public domain, or maybe he experienced the same posthumous rise to fame as Philip .D. Dick. Although, in terms of the latter, I’m sure the Blade Runner movie started that industry of books and movies.
I guess the next book in the series has to be Clark Ashton Smith. I’m a huge CAS fan, and have read most of his stories, so there won’t be anything new there if that’s the case. Other possible names in this series include Fritz Leiber, maybe Manley Wade Wellman, or Lord Dunsany. Even James Branch Cabell is a candidate. There’s a scarcity of female writers in this series, so that’s an area that might need attention.
As far as the Little Books series goes, as a “haphazard collector” I am resigned to not having the complete series here; I’ll get what I can find, or try to just keep up with the series now.
As a matter of trivial knowledge, there are only 24 unique colors spread among the nearly 60 books. Of these, five colors have four books each, nine have three colors, one with two, and nine again with unique colors. So far no one’s managed to come up with A Little Book of Turquoise Turgid Tales or A Little Book of Pink Phantasies (hello, future editor of George MacDonald stories…). I don’t mean to overly question the editors or publishers, but surely there are other options aside from black, purple, orange, and red?
Although I have quite a large collection of F. Paul Wilson books (over 50), I don’t have them all. The first Wilson book I read was An Enemy of the State, back in 1986. For many years I tried to buy every Wilson book that I could find, often staying up long into the night to finish a book the same day I bought it. In recent years some of his books appeared only via small press publishers; Wilson noted at some point that he’d been dropped by Tor Books, which had been publishing his Repairman Jack novels. As I wasn’t tapped into the releases from small press publishers where some of his recent books found a home, I missed a few books. Recently, I added a trio of Wilson novels to my library.
The first is Signalz, published in 2021, which I bought from publisher Gauntlet Press. This book is ostensibly part of his “secret history of world” collected tales. Most of these secret history books involve Repairman Jack, but this book does not. My copy is number 54 of 500 signed and numbered books. I sincerely hope the publisher sells/sends random numbers, as it would be a shame if only 53 people prior to me bought this novel.
Another Wilson book that I picked up is The Fifth Harmonic. I don’t think I’d ever heard of this book until recently. It’s a book that seems out of place for Wilson, a sort of debate between science and new age mysticism, involving chakras, Mayan mythology, and mind-over-matter in curing cancer. Still, it’s an engrossing thriller, and I it read in one day (or rather, evening). Even though I was bothered by some inconsistencies in the book, Wilson’s a compelling writer who makes you care about the characters. It was published by Hampton Roads in 2003, which now seems like such a long, long time ago. On a whim, I checked the publisher’s web site, and most of their books are of the non-fiction variety, so this books seemed like an anomaly. The book’s no longer listed in their web site, so it must be out of print. There’s no way of knowning how many copies were printed, which is a shame (to collectors).
Virgin is another anomaly by Wilson, a religious thriller. Original released under his wife’s maiden name, it vanished with no apparent audience. In 2007 Borderlands Press published a signed, limited edition (350 copies numbered and signed, of which mine is number 302), under Wilson’s own name. I pulled the trigger on buy this one by chance, after having finished reading The Fifth Harmonic. Wilson said he wanted to try new things, so I thought that I should try to read new things as well. Paperback copies are still available from Borderlands Press, but the hardcover is long out of print and available only on the secondary market.
By my current count, there are six individual novels by Wilson, and four collaborations with other writers, that I lack. I suppose I need to start looking for these as well.
After stumbling across a seller listing some of the earliest books in this series, my collection now numbers 38 books, including the first 10 books in the series. These are came in at the upper limit of my budget for each book. This seller has listed three additional books, but they’re beyond my upper limit, so I’m holding off on those books. Initially, I only saw one book listed, but they enclosed a note about some others also available. I then bought a few more. Their second note listed one that I did not see, so I bought this one as well.
There are still 16 books (to date) in this series that I currently do not own, and from my research I’d consider buying only four or five more. Some are insanely hard to find, but then I thought the same about those first books in the series as well.
As I’m a haphazard collector, I know I’ll probably never get them all. At least three of the books are impossible to find, or outrageously expensive. Recently, I saw a listing of the Neil Gaiman book at $750. Since, after a few weeks, this listing no longer appeared, my assumption is that someone was willing to pay that amount. I’m not.
Same for the Mallerman and Ligotti books; at the listed prices maybe someone will buy them, but not me. Then again, I’ve see the Massie book listed for $200, and I got it at a fraction of the price, so sometimes you get lucky.
As I collect them, slowly start to read them. Many authors are new to me, and I guess that’s part of the excitement.
If there’s a part 5 to this series of posts about the Little Books series, it might cover those remaining four or five within my budget. I don’t foresee much more after that, but if by chance I get them all, I know I have to post review of each of them, which would mean a productive series of posts. It would also mean some re-reads, and possibly first time reads. I do wonder, though, how long Borderlands Press will continue with this series.
