For several years I only owned the first novel in F. Paul Wilson’s ICE trilogy, Panacea, in the TOR mass market hardcover edition. Then, earlier this year I bought the other two books in the series, The God Gene, and, The Void Protocol, also in the TOR hardcover editions. A few months later, I found copies of the first and second book in the series in the limited edition states from small press publisher, Gauntlet Press, both of them online for reasonable prices. However, the third book, The Void Protocol, eluded me at the time.
Then, a couple of months after I bought The God Gene, a Gauntlet Press edition of The Void Protocol appeared online for $15. Bidding drove up the price to $39 (plus taxes and shipping…ugh), and I ended up with a copy. Published by Gauntlet Press and limited to 500 signed and numbered copies (plus some lettered copies), this edition now joins its brethren on my bookshelves. My copy is #35, whereas my copy of The God Gene is the lettered edition “M,” and Panacea is #70. Not that I’ve ever cared about getting the same exact numbers (or letters).
The compulsion to acquire the Gauntlet Press editions is a strange one. I own all the Repairman Jack novels in Gauntlet Press editions. I bought these books for cover prices the moment they were announced, months before the TOR books came out, starting with Conspiracies, back in 1999. I was a fan of the Repairman Jack books, and getting numbered & signed copies of back then was something new to me. While I owned some signed books, or books that I managed to get signed in person, the idea of numbered copies was something I discovered through an FPW forum (now fairly quiet or defunct). Once you have a few of such books in a series, like Repairman Jack, you almost want to collect them all.
Meanwhile, The ICE trilogy, as well as two other FPW trilogies, were books that I initially bought as mass market hardcovers. Thus, I was somewhat reluctant to shell out more money for the Gauntlet Price books, though once I learned of their existence I wanted them. Now, I have a set of two of those three trilogies. Does this make me want the third and last one? Yes, but still I hesitate. Maybe I’ll find copies online at my prices, maybe not. I currently have 25 of the FPW Gauntlet Press books. I only lack three solo GP books, plus two that were published in collaboration with Borderlands Press.
A Little Yellow Book of Carcosa and Kings, by Robert W. Chambers was published in 2022 by Borderlands Press. Limited to 500 copies, it quickly went out of print. I found a copy online recently for a decent price vs. the usual “twice the going rate or far higher” prices usually listed for out of print books.
This book is numbered and signed by editor Lisa Morton, as Chambers died quite a few years ago. I’ve read a couple of Chambers’ short stories in paperback collection that contains more of his stories than the Borderlands Press book. Those stories weren’t as gripping as some other writers from the same time period, but apparently he has a strong core of fans. It contains the four stories related to the King in Yellow: “The Repairer of Reputations,” “The Mask,” “In the Court of the Dragon,” and “The Yellow Sign.”
A Little Yellow Book of Perilous Tales, by Sax Rohmer (2024). This latest entry in Borderlands Press’ little books series is edited by one of my favorite writers, F. Paul Wilson. Wilson’s written his own imitations/pastiches of Rohmer’s Yellow Peril tales. So, what better writer to bring out a new collection of Rohmer than someone familiar with Rohmer’s work, someone who lacks all fear in the publishing world? Also limited to 500 copies, and signed by Wilson, it’s the fourth “yellow” books in this series. (In both this case, and for Chambers, the “yellow” in the title certainly applies).
I’ve never read anything by Rohmer, but I’m familiar with the name. Born Arthur Henry Ward, Rohmer was a English novelist whose first published story appeared in 1903. Rohmer died in 1959, succumbing (ironically) to Asian flu. Noted for his “Fu Manchu” tales, Rohmer’s work first arose in the aftermath of the Boxer Rebellion. This makes sense, given the “yellow peril” nature of his tales.
Perilous Tales collects four stories, three of which feature another Rohmer character, Madame de Medici. Wilson’s made his own spin on this character in his Repairman Jack novels, plus a couple of short stories. “The Zayat Kiss,” a non-Medici tale, features an early appearance of Fu Manchu. There’s a great introduction by Wilson, which covers his interest in and literary relationship to Rohmer. He also wrote brief prefaces to each story. Such small details are highly valued, at least by me.
As far as the series of Little Books from BP goes, I now only lack seven books. All of those seven are in the hard-to-find or damned-expensive variety. All of those seven are long out of print, so finding them at “acceptable” prices will be a matter of luck. It will be interesting to see where this series goes, as there are many possibilities, both in terms of the past and the present.
Over the years, Gauntlet Press has published many of F. Paul Wilson’s books, often (but not always!) limited to 500 copies, and usually priced at $60 (or higher, if lettered vs. simply numbered and signed). I own the complete set of the main “Repairman Jack” novels from Gauntlet, but at some point I drew the line with the two trilogies of “Young Jack” and “Jack’s Early Years.” The first trilogy was centered around Jack as a teenager living on the edge of the Jersey Pine Barrens. The second trilogy picked up a few years later, as Jack arrived in New York as a college dropout, and before he picked up the “Repairman Jack” monicker.
However, as a result of recent impulsive actions and approachable prices, I now have all three books in one the Gauntlet Press “early years” trilogy, Cold City, Dark City, and Fear City (published between 2012 and 2014). All three are signed books, and fit in nicely with my other Gauntlet Press books. For some strange reason the second book in the trilogy is limited to 400 copies, while books one and three are limited to 500 copies!
Another trilogy, under the monicker “ICE,” includes the novels, Panacea, The God Gene, and The Void Protocol. When I first heard of these books, I went the Tor hardcover route. Then, I found a copy of Panacea online for a bargain price. When I recently stumbled across the Gauntlet Press edition of The God Gene, I submitted a bid and ended up the winner. This copy is marked “M” as part of a lettered edition, vs. the typical numbered editions that I’ve owned of the Gauntlet Press books. Now that I have two of the three books in Gauntlet editions, the third volume beckons.
I also bought, at what I consider a reasonable rate, the first book in a(nother) trilogy, one that was a collaboration between FPW and Tom Monteleone, published by Borderlands Press. The trilogy is called the Nocturnia Chronicles, aimed at the young adult market. The first book in this series is called Definitely Not Kansas (published in 2013).
The title seems to be a play on a line from the famous movie, The Wizard of Oz (“Toto, we’re not in Kansas anymore,” if I remember it correctly). The books were published as a collaboration between two small press publishers, Borderlands Press and Gauntlet Press, with the hardcover edition limited to 350 copies, and signed by both authors (paperback editions also were published). The signature sheet is slightly smaller than the book, which is a bit of a head scratcher. The book contains an afterword section by Wilson and Monteleone where they describe how they conceived of the series (FPW’s comments also appear in the third volume of his short story compilation, The Compendium of F). The next two books in this series—Family Secrets and The Silent Ones—now are on my radar.
Lastly, Double Threat and Double Dose were a pair of linked books published by Gauntlet in partnership with Borderlands, in 2022 and 2024. I recently won an online auction for the Gauntlet/BP editions., and read both books over the course of a weekend. They fit into Wilson’s “Secret History” world. While most of the Secret History books take place on the East Coast, these two books take place in the Southern California desert. They’re also a riff on one of his earlier books, Healer, switching the gender of the main character, and placing her in the present vs. somewhere in space in a future history. There are some loose ends in the book that probably never will get resolved, but on the whole they were an enjoyable read. Aside from the link to Healer, there’s also a link to his novella, Wardenclyffe, the ICE trilogy, and maybe some other Easter eggs that I didn’t catch.
As an aside, I have some quibbles with the design team at Gauntlet Press, as well as Borderlands Press. First, there is no consistency with the “City” books in the covers. Neither the spine nor the front cover use a consistent font, with Cold City on the spine in massive bold white text, and Dark City and Fear City in smaller text but one in all caps and the other in title case. When all three books are side by side, aside from the word “city” in the title, they look like they’re published by different companies. Second, why publish two books limited to 500 copies, and one limited to 400? This makes absolutely no sense, but then Gauntlet was never consistent with the Repairman Jack novels. Although most are limited to 500 copies, four are limited to 475 copies, one to 450, and one just to 375. Maybe there are no more than 375 completist collectors…
The same criticism of design consistency could be said for the Nocturnia books; although I only have the first one, I have seen images of the second and third books. If a publisher knows they’re going to have a trilogy on their hands, maybe keep the design somewhat consistent? This isn’t just an issue with these books. The Tor hardcovers of the teenager Repairman Jack started out one way, then completely changed. Maybe that was a marketing move; the person in charge of the first book left, or someone decided they weren’t moving fast enough. In the case of small press publishers, unlike someone like Tor Books, you’re likely not seeing your book in the local Barnes & Noble, so please make it a point to come up with a plan for all the books in that series.
At least Double Dose and Double Threat are somewhat consistent in design, although whoever printed the cover of the first one, clearly didn’t measure the book, as the red border of the spine bleeds at least a quarter of an inch onto the front cover. As far the font used for Wilson’s name on the books, the designer should be ashamed, as certainly they had far better fonts to pick from than a Courier wannabe? Also, the lettered edition of Double Threat apparently merits a bonus “afterword,” which is frustrating. Then again, maybe that was the incentive to shell out more money for that edition.
I went slightly above my hard budget for this entry in the Borderlands Press little book series, Robert McCammons’s A Little Amber Book of Wicked Shots. Although most of the “little books” are limited to 500 copies, in this case they splurged and went up to 750. I’m not quite sure why exceptions to the 500 number rule have been made in a fairly small number of cases.
Whenever I’ve seen this McCammon book for sale, it’s usually been for over $100. In this case, two books popped up around the same time and for the same amount–each for $75. When I expressed interest in one of these books, and the seller enticed me with a slight discount, I went ahead and bought it. As a McCammon fan, I dove into the book right away.
McCammon’s book contains three short stories, each preceded by a recipe for a unique drink mix—hence the title of “Wicked Shots”. The drink itself appears in each story, but isn’t an integral part of it. The first story is about a serial killer of children who encounters a ghost, with drastic results. Set in the late 1950s in Alabama, it’s a chilling tale set in a particular time, but featuring a type of killer who knows no bounds in time. The second, about a former professional hockey player in New York, bleeds into fantasy and alternate realities. The third, about the dog-eat-dog corporate world, lacks a little power compared to the other two stories.
With this book, I’m now down to eight out of the 60 plus books in the Borderlands Press little book series that I lack. Of course, those remaining eight books are the hardest and most expensive books to find (four are from Series I alone). Twice I’ve missed out on bids for one particular author. As far as the others, each copy that I’ve seen for sale has been outside my budget. All save one of these books are early in the series. For some unknown reason, the one that’s more recent is either hard to find, or it’s priced far beyond other books published around the same time. De gustibus, I guess.
F. Paul Wilson’s novella, The Peabody-Ozymandias Traveling Circus & Oddity Emporium, published by Necessary Evil Press, has eluded me in a couple of attempts to buy the book. When I found it for sale online at Half Price Books for $50, I gritted my teeth and paid the sum. Published back in 2007 and limited to 500 signed, numbered copies and 26 lettered copies, of which this is #133. From what I’ve experienced, this book usually sells for $100 for more. This copy has some faint spotting at the top, but otherwise looks in good condition.
TPOTCOE, to shorten the title, is comprised of material originally published in the HWA anthology, Freak Show, with added material to flesh it out and make it a coherent story. As it’s not included in The Compendium of F, Wilson’s three book set of collected short stories, I had to get this book. Also, I used to own a paperback copy of Freak Show, but lent it out years ago and it was never returned.
The story fits into Wilson’s wide-ranging Secret History of the World, in this case about a traveling circus of “freaks,” all touched by the Otherness, all apparently eager to see it take over the Earth.
I whiffed on guessing the latest volume in Borderlands Press series of “Little Books.” After a grouping that included Robert E. Howard and H.P. Lovecraft, I thought the next one would be collection from their contemporary, Clark Ashton Smith. Instead, the author was Edgar Allan Poe, who died in 1849, more than 40 years before Lovecraft was born.
Perhaps no other American writer is more famous than Poe, although one could argue cases for Henry David Thoreau, Herman Melville, and Nathaniel Hawthorne. These three are known primarily for one work each, while Poe is known for his vast body of work. Poe wrote stories that today would be considered horror, science fiction, and mystery. He wrote primarily short stories, along with some poems. Melville is known for his massive novel, Moby Dick, while Hawthorne is known for The Scarlet Letter (although he wrote a several other great books, and many significant short stories).
Many collections of Poe’s stories and poems exist. I own one called The Unabridged Edgar Allan Poe, which replaced a previous book that I believe was called Tales of Mystery and Imagination. The unabridged book supposedly contains ALL of Poe’s fiction and poetry, at least those that were published. Poe published many versions of his stories and poems; this book purports to contain the first version of each story. Does that matter? Perhaps not.
Regardless, Borderlands Press surprised me when they announce Poe would be the focus of a Little Book. I ordered my copy a week ago, and received it on May 31, 2024. This collection, entitles A Little Gold Book of Grotesqueries, was limited to 500 copies, signed by the editor. The “gold” in the title, by the way, has been used three times prior, for books by Neil Gaiman, David Morrell, and Lee Child.
How does this book, with its 155 pages, compare to the 1,178 pages of the Unabridged edition? Owner and publisher of Borderlands Press, Thomas Monteleone, edited the Poe collection. He penned a personal introduction, writing about how he first was introduced to Poe’s fiction at the age of 14. I, too, read Poe as a teenager, but probably more so in my early twenties while at college. This books collects a mix of stories and poems. It contains the famous poem, “The Raven,” although it leaves out perhaps the most famous short stories of them all, “The Cask of Amontillado.” Nonetheless, it’s a great collection of Poe’s short works.
As an aside, I do think the editor was lazy to reprint the “About the author” text word for word from the first paragraph in Wikipedia’s entry on Poe.
Here’s another F. Paul Wilson book that I picked up as part of my recent quest to find all Wilson books that I don’t own (I think that list is down to less than five at the moment, though I’m not counted books with Wilson contributions vs. his stuff alone, or limited edition versions of books that I already own).
The Christmas Thingy was originally published in 2000 as a hardcover be Cemetery Dance in a limited edition of 350 copies. It’s since been reprinted in trade paperback editions, but still remains as a somewhat obscure book. For a time. Wilson offered to sign books as a gift via the old Repairman Jack forum web site. I didn’t really pay much attention back then. Lately, I’ve been on a Wilson kick, and I found an opportunity to acquire a limited hardcover edition of this book.
Originally published in 2000, this edition was priced at $20, which seems low for a book limited to 350 copies. Ironically, I bought the book in 2024 for $20 from Half Price Books (HPB), which I thought was a bargain, as I’ve seen the book listed on eBay and Abebooks for over $75. HPB is a strange bookstore. It’s a chain, selling mostly used books at half price, although it does mark up collectible books, sometimes at reasonable markups, sometimes at insane prices. I recently bought Robert McCammon’s Baal, the Subterranean Press edition, from HPB for $50. The books must be listed by individual stores, as another copy of the same edition is listed for $150. I suppose it depends on the person listing the book, who then makes the decision on the price based on a certain knowledge, or maybe caprice. I’ve seen a Neil Gaiman book listed for $750, and someone actually bought it. I’ve also seen Jack Vance sets listed for $500 or more, and no doubt someone desperate enough will shell out that many dollars for those books.
When buying online, you wonder about the condition of the book. This copy of The Christmas Thingy, number 32 of 350 signed by Wilson and illustrator Alan M. Clark, arrived in great condition. The book was in a slipcase, with an inlaid slip from “Beckworth Auction” as lot number 535. This makes me wonder: why it ended up in an auction, who bought it and what did they pay for the book, and, lastly, why did it end up in Half Price Books? This particular book’s long twenty-four year trip finally ended up with me, which is a strange journey indeed. I wasn’t as lucky with the next addition…
Occasionally I’ve been lucky at HPB when shopping in the store. Many years ago I found the first edition of Dan Simmons’s book, Song of Kali, for only $5.95. Another time I found the 1984 horror anthology, Dark Forces, signed by a dozen contributors, including Stephen King, for $8.95. I’ve found a few Subterranean Press books at reasonable prices, and some I have place back on shelve after experiencing sticker shock. On other occasions I have skipped books that I regretted not picking up, or ended up with a copy of two in horrible condition, just to have a reading copy. You walk into a used bookstore with no idea of what you will find. Sometimes I walk out with an exciting book, sometimes with nothing at all. Still, while in the store, you can generally check the condition of a book.
Jack Vance is my all-time favorite writer, and I own (almost) all his books. I say almost as I don’t have any books from the Vance Integral Edition (VIE), which collects ALL his works, in the author’s preferred state and with his preferred titles. When the VIE was published I signed up for it, but when it came time to pay I didn’t think I could afford the entry price, so I dropped out. Now? Well, a price for anything VIE on the secondary marked is insane, if you can even find a complete set. Even single volumes fetch a premium (but so do the Underwood-Miller editions).
The Gray Prince appeared in hardback from Bobby-Merrill in 1974. For many years I owned only a copy of the DAW paperback edition, published in 1982. I’ve read the novel two or three times, and it really doesn’t stand out as a unique Vancian novel; rather, it follows a theme similar to several other novels: the idea that “ancient” races who see themselves as rightful owners/rulers are not so ancient after all, but others have preceded them. The cover is well done, however.
Recently, I saw an opportunity to get a hardcover version at a somewhat decent price, and so pulled the trigger on that purchase. I ordered this online from Half Price Books, the same day I ordered an F. Paul Wilson book (see below). The books arrived a week apart, so kudos to the store that shipped the Wilson book, vs. the store that shipped the Vance book. I really now only need a hardcover copy of Maske: Thaery (I do own a book club edition of this novel, but that’s not the same). Yet, I strongly wish that U-M had published editions of both books, back when they specialized in Vance’s works.
The cover of this edition is, to put it mildly, horribly generic. Still, it’s nice to replace a battered paperback copy with a broken spine. The story was originally published in Amazing Science Fiction magazine in two parts in 1974, under the title, The Domains of Koryphon. Maybe that title was restored in the VIE.
The book that I received was in poor condition: the spine was tilted and there was significant spotting on the edges of the paper. This 1974 copy did not hold up well. It’s signed by Vance, but, had I known about the condition I would not have bought it. It’s an issue with any online purchase. I’ve bought a few books online from Half Price Books, and this is the second one that’s been listed as fine, but was anything but fine.
I read F. Paul Wilson’s original hardcover edition of Nightworld, published by Dark Harvest press, back in 1992. This book was, at that time, the culmination of the Adversary Cycle. It was a sequel to Reborn and Reprisal, books also at that time published by Dark Harvest before their mass market paperback editions. Although a trilogy, there were connections to other novels, such as The Tomb, The Keep, and The Touch. Each of those three novels featured different protagonists, from Repairman Jack in The Tomb, to Glaeken in The Keep, and finally, Dr. Alan Bulmer in The Touch.
Nightworld brought them all together, for one final battle. Or so it seemed. Then, Wilson brought back Repairman Jack, starting with Legacies, and began a long series of novels featuring this fascinating anti-hero. Somehow he found a few stories in between the events of The Tomb and Nightworld. In all, he wrote around 21 novels, and so, in 2012 he released a revised and updated version of Nightworld.
Since 1992 I knew how the world ended, and so I never looked for this updated version of Nightworld. However, in the past few months I’ve picked up and read several FPW books that I previously didn’t have, and when I saw a hardcover edition of Nightworld available (“only one copy left”), I went ahead and bought it, and then read it over the span of three days.
Since the first edition of the book, many things have changed, and new characters have been introduced in FPW’s “Secret History of the World.” In the new edition of Nightworld, several of these characters show up, some briefly, and some for an extended visit. I tried, as I read this new edition, not to look up similar passages in the original. Much has been made of various “retcons” in other circumstances, for example the first Star Wars movie. Even J. R. R. Tolkien’s Hobbit was tinkered with by the author. Another books have “the author’s definitive text” stamped on them—there was an entire collection of books by Jack Vance created to bring out his definitive texts, the Vance Integral Edition. Is that so bad? Well, we all know that Han Solo shot first, despite what George Lucas does, but what about the written text? Sometimes authors see the hand of editors, and they want their own text “restored.”
In the case of Nightworld, it was more the case of FPW adding new stuff. In some cases, this did expand on the existing novel. In other cases, there were some disappointments. One major side character, the actuator from the secret society called the Septimus Order, one Ernst Drexler, died in a most trivial and disappointing way. The fate of major characters didn’t change much. Repairman Jack himself didn’t feel like a major character in this novel; it definitely was an ensemble novel. Still, for the most part Jack was there to worry about his mate, and not actually do stuff, aside from a simple errand. A page by page analysis would show more changes, but I chose in this instance to ignore my memory.
Wilson never wrote any novels set after the events of Nightworld. After all, what do you do when the world has ended, and then somehow was restarted? And now, in 2024, it appears that FPW will write no more novels, as a stroke has affected his writing. Some people who read the original edition, either as a Dark Harvest book or a paperback, may hesitate to read the expanded edition, or might have a preference for the original. After all, it took me over three decades between books, so maybe I counted myself among that group for a while. Still, I don’t feel that the newer edition was any lesser than the original. If anything, I liked the Repairman Jack novels, and somewhat wish there wasn’t an “end-of-the-world” novel like Nightworld to put a stop to them all. But, I didn’t see this version as something that ruined the earlier experience.
That being said, there are plenty of Repairman Jack novels to enjoy (or hate, if you don’t like what happen to certain characters in some of the novels) aside from Nightworld. It’s a shame we don’t know what happened to some of the characters Jack encountered (as easter eggs) in this updated version, but we can always imagine that they survived.
A trio of FPW books, one more in the Author’s Choice Monthly series from the early 1990s by Pulphouse Publishing, and novella by Lucius Shepard.
The Void Protocol, F. Paul Wilson, Forge 2019. Bought at near list price, this is the third book in a trilogy that started with the novel Panacea. It’s been a few years since I read Panacea, so I know little to nothing about this series. For many years I didn’t even know it was a series, as none of the follow-up novels appeared any local bookstores. Then again, with fewer options out there, at least where I live (even in one of the ten largest cities in the US), finding a copy from some authors in a local bookstore seems almost impossible. I’m not sure if I need to first re-read Panacea to get into the second and third installments. Hard to believe it’s been just a few years since I read Panacea, as I remember virtually nothing.
The God Gene, F. Paul Wilson, Forge 2018. The second book in the trilogy with Panacea and The Void Protocol. I list them out or order as this is the order in which they arrived. Although I ordered The God Gene and The Void Protocol on the exact same day, they arrived nearly two weeks apart. Such are the vagaries of the United States Postal Service, I guess. An avid collector might have gone with the Gauntlet Press editions, but since I already had the Tor Forge copy of Panacea, I went with the mass market hardcover editions to make my set complete. I have several limited editions of FPW’s books, but I’m not super picky.
Mirage, F. Paul Wilson and Matthew J. Costello, Warner Books, 1996. Many years ago (possibly back in 1998 when it first was published and we had a decent selection of bookstores, before the internet and economic troubles crushed so many of them), I read Masque, the other collaboration between Wilson (not Abbott) and Costello.
Somehow, I never could find a copy of Mirage, a medical thriller was written before Masque. This year I finally gave up on seeing it in any used book store and bought a copy that I saw online (see above quest to acquire all F. Paul Wilson novels). This copy is signed by both Wilson and Costello. Not something I’d reject, and maybe even a bonus, plus the book’s in a great condition. Having read the first couple chapters, so far it comes across quite strongly in Wilson’s voice, although I think I can detect a difference when Costello takes a turn.
Since I recently discovered that there were a handful of F. Paul Wilson books published that I’d missed upon their initial publication, I’ve become determined to find and acquire those missing books. After these three F. Paul Wilson books, I think only four of his solo novels remain that I need to find, as well as some collaborations and other appearances.
I also picked two non-FPW books, one I’d been looking for a long time, and another that was an impulse buy.
The Father of Stones, Lucius Shepard, Washington Science Fiction Association, 1988. Lately, I’ve been reading some of Shepard’s early stories, and so I’m now keeping an eye out for titles that I don’t have. This small volume was an impulse purchase. Released in an edition of 500, this copy is number 112, signed by Shepard and slipcased. I’m sure it’s been collected somewhere in some other volume (or volumes) of his short stories, but in the meantime this was an attractive book, and sometimes you need to leave room for the simple stuff. It’s just one story, much like The Scalehunter’s Beautiful Daughter (and it’s the same size of that story when it published as a stand-along book).
Wong’s Lost and Found Emporium and Other Oddities, William F. Wu, Pulphouse Publishing, June 1992. This book is #28 in the Author’s Choice Monthly series from Pulphouse Publishing, and the second to last in the that series. It’s one that I hesitated to buy. Not because I didn’t want it, but when I started accumulating the author’s choice monthly series, I went for the unsigned paperbacks. By mistake, I bought the Charles de Lint book in hardcover. Then I bought a second in hardcover, as I could not find any copies of the paperback. I also could not find copies of William F. Wu’s book in paperback, so when I found the hardcover at a reasonable price, I thought, “Why Not?” This is strange, as far more paperback copies were supposedly printed than the hardcovers.
Maybe I’ll end up switching the 25 paperbacks in my library at some point with hardcover editions. Or, maybe the set remains uneven. Nevertheless, I now lack only one book in the series. So far, the copies I’ve seen of that title are ones with prices well outside my allotted budget. Will my collection come to a halt at 28 out of the 29 books? Perhaps. After all, how can I call myself a haphazard collector if I acquire all copies in this series?
It’s interesting that Pulphouse changed the formats of its covers. Most of the books featured a prominent portrait of the the author, with some background illustrations. For the second to last and last books (Wu and Suzy McKee Charnas), there was a drastic change in the cover. And then, after those two books, the series folded, and the publisher essentially collapsed.
Could someone pick up a similar project? probably not. A monthly series with books in this format is hard for any publisher and editor to sustain. Borderlands Press, with their Little Book series, might be the only small press publisher out there who dares follow a similar format. While Pulphouse released the books in three states—paperback, hardback, and leather—each in fewer copies, Borderlands limits itself to a single format, and usually 500 copies (with a handful of exceptions). And they’ve been doing this for 20 plus years.
Although I have quite a large collection of F. Paul Wilson books (over 50), I don’t have them all. The first Wilson book I read was An Enemy of the State, back in 1986. For many years I tried to buy every Wilson book that I could find, often staying up long into the night to finish a book the same day I bought it. In recent years some of his books appeared only via small press publishers; Wilson noted at some point that he’d been dropped by Tor Books, which had been publishing his Repairman Jack novels. As I wasn’t tapped into the releases from small press publishers where some of his recent books found a home, I missed a few books. Recently, I added a trio of Wilson novels to my library.
The first is Signalz, published in 2021, which I bought from publisher Gauntlet Press. This book is ostensibly part of his “secret history of world” collected tales. Most of these secret history books involve Repairman Jack, but this book does not. My copy is number 54 of 500 signed and numbered books. I sincerely hope the publisher sells/sends random numbers, as it would be a shame if only 53 people prior to me bought this novel.
Another Wilson book that I picked up is The Fifth Harmonic. I don’t think I’d ever heard of this book until recently. It’s a book that seems out of place for Wilson, a sort of debate between science and new age mysticism, involving chakras, Mayan mythology, and mind-over-matter in curing cancer. Still, it’s an engrossing thriller, and I it read in one day (or rather, evening). Even though I was bothered by some inconsistencies in the book, Wilson’s a compelling writer who makes you care about the characters. It was published by Hampton Roads in 2003, which now seems like such a long, long time ago. On a whim, I checked the publisher’s web site, and most of their books are of the non-fiction variety, so this books seemed like an anomaly. The book’s no longer listed in their web site, so it must be out of print. There’s no way of knowning how many copies were printed, which is a shame (to collectors).
Virgin is another anomaly by Wilson, a religious thriller. Original released under his wife’s maiden name, it vanished with no apparent audience. In 2007 Borderlands Press published a signed, limited edition (350 copies numbered and signed, of which mine is number 302), under Wilson’s own name. I pulled the trigger on buy this one by chance, after having finished reading The Fifth Harmonic. Wilson said he wanted to try new things, so I thought that I should try to read new things as well. Paperback copies are still available from Borderlands Press, but the hardcover is long out of print and available only on the secondary market.
By my current count, there are six individual novels by Wilson, and four collaborations with other writers, that I lack. I suppose I need to start looking for these as well.
