Anders Monsen

Lost worlds and ports of call

Tag: Subterranean Press (Page 1 of 2)

More Connie Willis books

March 2, 2026 / / 0 Comments

Many years ago I bought my first Connie Willis book, To Say Nothing of the Dog. Time passed, and I came across a novella of hers called All Seated on the Ground. It was a quick read, but a funny and brilliant story. Since then, I’ve been on the lookout for books by Connie Willis. This weekend I was in Austin, and found a couple of her novels that I didn’t have; well, there was a third, but I am too picky, and as the cover had a long scratch, I reluctantly put it back on the shelf. To be honest, I’ve mainly been looking for Blackout and Doomsday Book. Along the way I’ve come across several unexpected titles, and none have disappointed me so far.

The Road to Roswell (Del Rey, 2023) I started reading this book on the way back from Austin. It’s a funny alien abduction story, starting in the town of Roswell, New Mexico. Roswell is known as a site of an supposedly alien ship crash landing in 1947. I’ve been to Roswell a couple of times on the way to other places, and they do sell their alien landing story as a major part of the town. In this book, which takes place during a wedding at a Roswell alien festival, there’s a real alien kidnapping. I read this book in a couple of sittings. For the most part, I enjoyed it, though I found the ending too abrupt. A note in the book states that Willis is working on another time-travel novel, so that’s some good news.

Crosstalk (Del Rey, 2016) I’d never heard of this book, but it seems to be a take on the burgeoning world of social media. The novel was published in 2016, back when facebook, Twitter, Instagram, etc. were all the rage, and the rise of influencers dominated media. As such, it’s maybe an attempt to tap into the pulse of the current state of society, and extrapolate this in ways on SF writers are able. So, if I dive into the book, it will be interesting to compare it to the present, a decade after it was published. The world has changed many times since then, but social media and influencers sadly remain a part of it. I found a nice copy of the hardcover edition on my recent Austin trip. Not high on my “To Read” stack, since I don’t care much about social media, though looking back a decade will be strange, given the rise of social media since that time.

All About Emily (Subterranean Press, 2011). A novella, so in essence, a short novel. Illustrated by J. K. Potter. One of a handful of books I recently bought from Lawrence Person’s Lame Excuse Books. This book was limited to 400 signed and numbered copies, plus an unknown number of unsigned copies. My book is signed by Willis, and numbered 176 out of 400. Subterranean Press has published a fair number of Willis’s books, and they always do a bang-up job with each edition.

Tim Powers’ Bible Repairman collection

February 10, 2026 /

In 2005 Subterranean Press released a chapbook with Tim Powers’ short story, “The Bible Repairman.” At only 26 pages, it also includes interior illustrations by Powers. I have the second printing, which is marked “Signed second printing.”

A few years later (2011) Tachyon Publications released a trade paperback collection of Powers’ stories, under the aegis of The Bible Repairman and Other Stories.

It collects six stories, plus an introduction by Powers. So, that’s enough, right? Maybe not, for last year I learned that Subterranean Press also published an edition of the same set of stories, also in 2011. This was a hardcover signed and limited edition, published with only 500 numbered and 26 lettered copies. I bought a copy of this edition recently, for $35, not knowing that the book originally was listed for $75.

As I own a handful of Subterranean Press editions of Tim Powers books (but by no means all of them), I was thrilled to have a hardcover replace the trade paperback edition.

Books added: Two more Lansdales

June 29, 2025 /

Joe R. Lansdale has written a vast number of books. Subterranean Press has published a fair number of those books. Recently I picked up just my fourth and fifth copies of Lansdale books published by Sub Press—a minuscule number of those books, for sure. The reasons? First: Most of these were published many years ago, and now fetch prices well above the initial listed price. Second: the initial listed prices tended to start around $40, even for copies available in the thousands, vs. hundreds, in terms of “limited editions.” Therefore, I went with the more mass-market publishers when it came to Lansdale’s books. But, if I’m lucky enough to find any within my narrow price range, then why not?

For a Few Stories More, Volume 4 in the Lost Lansdale series, Subterranean Press, 2002.

Initially listed at $40, I paid $22 for this book. Used. Online. From a dealer. Apologies to Mr. Lansdale, who didn’t get a penny from me on this one; I have bought many of your books retail, however, but sometimes there are books offered at prices beyond what I can pay. And, I came late to the party on this one, 23 years late, to be exact.

For a Few Stories More, is the fourth (and last) in a series of “Lost Lansdale” books and short stories. So far I’ve only read the introduction, which is a good one. After I got this book, I looked for books one through three, but those are listed at well beyond what I paid for this one, so I’ll stick with this book for now. My copy is #373 of 1000 signed and numbered copies. I plan on reading these stories shortly. Lansdale’s short fiction packs a punch, and I expect that even his early stories have some weight behind them.

Next up, a book that kept showing up everywhere when I was scrolling through online catalogs and offerings. This copy popped up at a surprisingly low price, so I went for it.

Jane Goes North, Subterranean Press, 2020

Jane Goes North is an amusing road trip of a book. Also originally listed at $40, I was able to get this one for $20. My copy is #88 of 2000 signed and numbered copies. The protagonist, Jane, lives in East Texas. She’s just been fired from a low-paying job, and gets invited to a sister’s wedding just outside Boston. Determined to make it to the wedding despite being almost broke, she teams up with a stranger, Henrietta aka Henry, an anti-social woman with a wandering eye. Henry has a working car, and Jane is willing to drive.

Along the way they meet up with a collection of bizarre people, including a pair of dollar store thieves, some back-woods slavers, and a country musician who now makes her living playing in bars along the east coast, while fighting off sexism and owners reluctant to pay her anything. In typical Lansdale fashion, characters over-share information, but Jane preservers. She has grit, determination, and I ended up rooting for her despite all her dubious decisions. The ending surprised me somewhat, and perhaps there’s a sequel in there somewhere.

Book added: A Pair of Lansdales

May 5, 2025 /

Joe R. Lansdale has written (and continues to write) a ton of books. I buy them as I find them, which these days isn’t often.

Radiant Apples is a novella published by Subterranean Press in 2021. I found this book online, listed for $20 plus tax and shipping. It’s a slim book—in effect, the kind of book you can read in one sitting. The main character is Nat Love, who previously appeared in the novel, Paradise Sky. My copy is number 301 of 1,500 signed and numbered copies, originally published for $40 in 2021.

Nat Love is now in his 50s, a porter on the Pullman railway in north-east Texas. A train robbery and murder sets him on a quest, and he recruits an old friend as he chases these robbers into Oklahoma from Texas. It appears to be set in 1919, but feels like an old Western from the previous century. Lansdale tones down some of his usual banter, but not by much. Overall it’s a good read, and I think it would be cool to see more stories with Nat Love. That might be tough, however, as between Paradise Sky and this book he got married, had kids, and gave up much of his old life. A glance at Lansdale bibliography told me there were some other Nat Love stories, which led me to the next acquisition.

Fishing for Dinosaurs, also published by Subterranean Press (2020), is a collection of five novellas. It includes “Black Hat Jack,” an earlier Nat Love novella. “Black Hat Jack” previously was published as a separate book (just like Radiant Apples) way back in 2014 by Subterranean Press. It’s cannibalized into this collection (along with another Lansdale novella that also came out by Sub Press), which saved me from having to hunt down the older novella.

Each of the stories is introduced by another writer: Robin Hobb for “Black Hat Jack,” plus Poppy Z. Brite, Richard Chizmar, David J. Schow, and Norman Partridge for the other stories. My copy is number 660 out of 2,500 signed and numbered books, also bought for $20 online, as I’m a few years late from the original publication event, and the book is sold out from the publisher. An edition of 2,500 seems like a lot for a “signed, limited edition,” but, as I care more about the stories than the rarity of the book, I don’t mind. However, I do wish I’d known about it sooner, as I feel guilty that Lansdale isn’t getting a cent from my purchase.

In terms of the other stories, “The Ape Man’s Brother” was published as an eBook and hardcover edition by Subterranean Press. “Prisoner 489″ was published by Dark Regions Press as a lettered edition, a limited edition hardcover, and trade paperback. From what I can tell, the other two stories—”Sixty-Eight Barrels on Treasure Lake,” and the title story—are collected here for the first time, though “Fishing for Dinosaurs” first appeared in 2014 in Limbus Inc. Book II. I may be wrong, as although I own 44 Lansdale books, this is but a fraction of his output.

From the introduction by Lansdale, I learned there are some other Nat Love stories floating around somewhere, and maybe they will turn up in a collection, and maybe I’ll eventually read them.

Books added: a pair of Charles de Lint Books

April 12, 2025 /

I recently missed out on a bid for a set of nearly a dozen of Charles de Lint’s Subterranean Press books. Maybe that wasn’t a bad thing, since I already owned five out of the books in that lot. Still, I’ll admit that it was somewhat disappointing, as the rest were ones that I really wanted.

I always have a hard limit on auctions, which means that I lose out on quite a few of them. I guess that now I need to acquire those books one by one instead. However, looking at de Lint’s bibliography, I doubt that I’ll ever be able to acquire all his books, so I’ll take them as I find them. Then again, I did find a pair recently at decent prices, so here goes…

First up, The Onion Girl. Published in 2009 by Subterranean Press, and limited to 500 signed/numbered copies plus 26 lettered copies. It’s a hefty book, clocking in at just over 500 pages. The cover is gorgeous, yet the story hits at darkness. I recently read another book that featured the same main character, so at some point I know I’ll be drawn into this book.

Next, Seven Sisters Wild. Another Subterranean Press book, this one published in 2002. This is the signed hardcover edition, with signatures from both de Lint and illustrator, Charles Vess. It’s a novella, only 152 pages long, and beautifully illustrated by Vess.

All in all, this still leaves at least 20 of de Lint’s books that I don’t have, compared to the 32 that I have. That first number’s probably fuzzy, based on an old bibliography. Still, 20 seems like a massive number. Many of these books are hard to find, or when listed somewhere, fetch premium prices. A few of the so-called “missing” books I have in beat up paperback editions. I do want better copies, though. Others, I don’t have, and want to read.

Sometimes, though, I think you have to be in the right mindset, or the right age or the right timeframe, to read certain books. I recently re-read Moonheart and liked it, but when I tried to read Eyes Like Leaves, written around the same time as Moonheart, I struggled and gave up—at least, for now. Maybe Eyes was too similar to Moonheart. Maybe it jumped around too much for me to fasten onto the plot and characters. Maybe I’m just a different person from back when this book was published Still, I hope de Lint keep writing fiction, despite his recent personal tragedies. Then again, maybe he’s said all that he wants to say, at least when it comes to fiction. It won’t be the first time that’s happened to an author.

Books added: Link, O’Brien, Reamy

November 15, 2024 /

Kelly Link has published several short story collections, such as Magic for Beginners, Get in Trouble, Stranger Things Happen, and others. The Book of Love is her first novel, as far as I’m aware. I picked this up in a local bookstore, having enjoyed reading several of her short stories.

It’s a hefty book, clocking in at over 600 pages, which is a massive step up for someone known more for short fiction. The copy that I bought is apparently a second printing, which is a good sign for Link, especially since it was released in this year. There’s an OCD element in me that kicks myself for not checking to see if it was a first edition, but what the heck.

Checking the list of publications, I see that I’ve missed two books: Pretty Monsters, and White Cat, Black Dog. There was a big gap between Get in Trouble (2016), the last collection of hers that I have, and White Cat, Black Dog (2023). Not sure how I missed that book, as Link’s one of those current writers of short fiction that always brings interesting things to light.

At the same book store where I bought the Link novel, I saw a pair of books by Tim O’Brien. I almost bought one, called The Things They Carried, until I learned that my wife already had a copy. The other book was the trade paperback edition of America Fantastica, his latest novel. Running short on time as we needed to be somewhere else, I made a mental note to return to that store for the book. However, that same night I went to another bookstore, and found a hardback first edition of the same novel.

This is O’Brien’s first novel in two decades, which in an of itself is an amazing fact. A glance at the cover’s synopsis reminds me of the novels of Neal Barrett, Jr. I’ve not read anything by O’Brien, but I was looking to try new things and his name had cropped up recently when discussing current American fiction with someone.

The name Tom Reamy has cropped up now and then recently in collections by other writers. Several other writers who knew Reamy praised him as a writer with great promise. Reamy died at the age of 42, in 1977, while working away at a story on his typewriter, which is the quintessential writer’s death. I don’t think I’ve seen any copies of his books in new or used book stores over the years, and I bought this one online.

Under the Hollywood Sign is a collection of most of Reamy’s stort stories, published in a limited edition of 750 copies by Subterranean Press in 2023. It collects stories from his 1978 collection, San Diego Lightfoot Sue and Other Stories, plus two others. A novel, Blind Voices, was published posthumously. One of the stories apparently had been sold to Harlan Ellison’s ill-fated anthology, The Last Dangerous Visions. While many of the stories that originally sold to Ellison for that book were withdrawn, the book itself finally was published this year, edited by J. Michael Straczynski. JMS is known more for Babylon 5, but as the executor of Ellison’s estate, is on a mission to bring Ellison’s fiction and legacy back into the public eye.

Book added: Charles de Lint

September 21, 2024 /

In 2000, Subterranean Press published Triskell Tales – 22 Years of Chapbooks, by noted fantasy author Charles de Lint. This book collected together for the first time a series of chapbooks that de Lint had self-published, many as Christmas letters, from 1974 to 1999. It was a hefty book—over 500 pages— published as a signed, limited edition of 2,000 copies, at a cover price of $40.

In 2006, Subterranean Press published the “sequel,” Triskell Tales 2, containing six more years of chapbooks. The trade hardcover edition was listed at $40, and a deluxe limited edition at $125, all for a much slimmer book. In retrospect this seems like a money-grab, but I’ve never been too fond of the multiple state business plan for small press books. Either publish them without signatures in a moderate number of copies, like Arkham House or Golden Gryphon (usually around 2,000 copies), or a smaller set that’s signed by the author. The idea of “numbered, lettered, limited” variations just comes across as annoying. Do they need the more expensive books to subsidize the lower priced ones? Is it just a way to bump up profits? Don’t know, but I still find it annoying.

For many years I owned a copy of the first volume of Triskell Tales. When copies of the second book appeared for sale, they were usually well above my price point. A few weeks ago I came across a copy of the trade edition of Triskell Tales 2 at a reasonable price. There are seven tales in the book, along with an introduction. Two of the stories have brief “author’s notes” at the end.

Looking back, 2006 seems a long time ago now. Much has changed in the world since then, in real life as well as in publishing. Are there other “triskell tales?” Perhaps. Will they appear in collected form like these two books? Perhaps not. The past few years de Lint has experienced some personal issues, with his wife falling ill in 2021, then passing away in 2024 after many years battling the Powassan virus.

There’s been a vast gap of almost two decades since I last read any of my many de Lint books, and while I believe I possess more than half of his books, there’s still a vast number of them yet to find. Maybe his stories belong to a different time, a happier age, both in terms of fiction and reality. They are hopeful stories, serious stories, a type of fantasy unique to the late twentieth century.

Books added: Conan Doyle and de Lint

September 4, 2024 /

I can’t stop now.

Even though there are nine Borderlands Press little books that I don’t have, all of which are either insanely hard to find, or far beyond prices that I’m willing to pay, I continue to buy new books in their series. The latest book in their “Past Masters of Horror & Fantasy Series,” of which this is their first in “Series V,” is a collection of stories by Arthur Conan Doyle. Entitled A Little Orange Book of Odd Orchestrations and limited to 500 copies, their choice of authors continue to surprise me.

I bought this copy from the publisher, who charges a premium for shipping the book in what’s basically a padded envelope mailer. C’est la vie. Still, I’d rather support the publisher, whenever possible, since that will help them to keep publishing books in this series.

My copy is numbered #17 of 500, and signed by the editor. With four more books in Series V before they either switch to a different theme, or decide to continue with “Past Masters” one wonders who is next on the list. Kipling, maybe? I expected Clark Ashton Smith (CAS), since they’ve published H. P. Lovecraft and Robert E. Howard, but so far that hasn’t happened. Hello, BP, I’m willing to edit any Jack Vance or CAS collection…

Between 2003 and 2008, Subterranean Press published three books by the noted fantasy writer, Charles de Lint, collecting many of his early stories. These books, A Handful of Coppers, Quicksilver & Shadow, and Woods & Waters Wild, were a few of the many de Lint books published by Sub Press around that time. Until recently, I’d remained ignorant of these books (strange, given the fact that I was a huge de Lint fan since the early 1990s). Over the years, I’d picked up only a couple of de Lint’s Sub Press books: Triskell Tales (2000) and The Road to Lisdoonvarna (2001), probably because the price at the time was “right,” of I found them in person at a convention (at that time I didn’t really buy books online). More than two decades passed before I bought any other of de Lint’s Sub Press books.

All of de Lint’s Sub Press books went out of print fairly quickly. Checking their web-site after the fact resulted only in regret and envy. Recently, as I’ve started looking more at the secondary market to find some out of print books, I’ve become aware of the other Sub Press de Lint books, copies of which now are available to purchase from online resellers. In some cases, the prices are beyond the original cover price, and a choice must be made. In other cases, I “go for it” and hold my breath as I await the shipment to see if the books matches the online description.

I bought the first two “early stories” books last year (2023), inspired as I was while in the midst of re-reading some de Lint novels. For many years I bought any paperback or hardcover de Lint book I could find in local stores (when that was an option, before the internet and bad business decisions killed several physical stores), then I took a break from SF and fantasy books. In the past couple of years I’ve looked back at favorite authors and tried to find books that I missed. Hence, the search for some de Lint books. Then, a few days ago, tempted by a huge discount, I bought Woods & Waters Wild, the last of the three collections of early tales.

All three books in this series that I now own are signed by de Lint. They’re not “limited” in the sense that they are numbered or granted some special format. The “signed, lettered editions” were listed at $175, $200, and $200, respectively, as stated inside the covers of my books.

Who pays such a price, I thought? Is a number in a book worth far more than $20, or the then original cover price of $40? To someone, sure. To me? Not so much. I have no idea how many copies were published in these states. They do say “signed, limited edition” in the jacket flap, but there’s no indication as to the limitation number. It would have been nice to see something, maybe on the last page of the book, stating that it was limited to X number of copies, whether that was 1,000 or 2,000 or other.

There are still quite a few of de Lint’s Sub Press books that I don’t own. Some are less tempting than others. I’ve already acquired Eyes Like Leaves and Promises to Keep. Some of these books appear to be aimed at the juvenile market. If the right opportunity arises, maybe I’ll try to get more of his books. There’s a measure of regret in any current purchase actions, as I’m not benefitting either the author or publisher. Either you jump right away and buy what the publisher offers, or you look for a dealer who bought books at a discount who now sells them at a premium, or a prior buy offloading their copies. Sometimes you get lucky and the seller offers the book at a discount. Buy it then, reader, buy it then.

My only quibble is that the publisher wasn’t consistent in their font and format used for these three books. This is a pet peeve of mine: if a publisher knows they are planning a series of books by the same author, don’t freakin’ change the format, especially on the spines, of the books in that series! Even the font inside the books is different. You’d think that different artists, editors, typesetters were hired with each book, and every one of them said, “let’s do something different!”

Books Added: A Pair of “Best of” Collections

June 11, 2024 /

Subterranean Press for many years has published “best of” collections. These are massive books, 500, or 600 pages long, spanning the career of a specific author. As with most Subterranean Press books, they tend to sell out quickly.

Recently I picked up a pair of these collections, The Best of Gregory Benford and The Dark Ride: The Best Short Fiction of John Kessel.

Published in 2015, The Best of Gregory Benford collects 38 soties out his more than 200 published short fiction. I read several Benford books in the 1990s, but I don’t think I’ve read any of his short fiction. His novels embody the essence of “hard SF.” The titles of some of his novels are as inventive and powerful as the content, from Against Infinity, In the Ocean of Night, Across the Sea of Suns, and more. Once, again at some point in the 1990s, I had dinner with Benford and a bunch of others, and also was involved in the Prometheus Award ceremony where he presented an award. He signed some paperback and hardbacks that I owned at the time. He was gracious, witty, and personable. I look forward to reading these stories. This Subterranean Press edition was published in a trade and limited edition, and I picked up the trade edition from a local dealer, Lawrence Person, a few months ago.

In contrast to not having read Benford’s short fiction, I have read a handful of John Kessel short stories, all from a collection published by Arkham House in 1992, called Meeting in Infinity. I read those stories probably back when I bought that book in the early 1990s, so I remember nothing about them; my excuse is that I’ve read too many books since then.

Published in 2022 this collection, entitled, The Dark Ride, appears to only have been issued in a limited edition of 1,000 signed and numbered copies. I came across it in a local used book store. Shocked that anyone would sell a signed, numbered book, I picked it up at once. Although slightly longer than the Benford collection, Kessel’s book contains fewer stories—only 20.

Short story collections usually don’t sell many copies (something writers usually complain about in their introductions to their own collections). In that sense, they are ideally suited for small press publishers, who’ll run off a few copies at prices twice (or more) what you would pay for a regular hardcover by a traditional publisher like BAEN or Tor (although they do occasionally publish collections).

The starting price for most of these Sub Press editions is usually $40 or more. For the Benford book in 2015, the low end edition was $40. Meanwhile, in 2022, the signed edition from Kessel was only $45. And yet, these books tend to sell out right away, which means there are readers who want to buy short fiction between hard covers, not just in magazines. I’ve seen others listed for slightly less, or, in the case of signed limited editions, for a lot more, from Sub Press itself. On the secondary market, well, it’s whatever people thing it’s worth.

A look at Sub Press’s catalog reveals a situation that’s both good and bad. Michael Swanwick: out of print; Nancy Kress: out of print; Kage Baker: out of print; Gregory Benford: out of print; Lucius Shepard: out of print. The list goes on and on… If you’re looking for any of these books now, your only option is book dealers who snapped up copies to sell, with a slight (or more than slight) profit to themselves. Good luck out there. Find a collection from a writer you like, and you’ll see their career in highlights.

Books Added: Five by Charles de Lint

April 21, 2024 /

Charles de Lint is prolific writer whose books have become harder to find. In the 1990s and early 2000s, paperback copies of early de Lint books were still available, as well as newer ones in hardcover, at least in the local new and used bookstores. Even though I dislike beat-up books, or books with cracked spines, I bought any de Lint book that at the time I didn’t own, regardless of condition. For a long time I mostly owned de Lint paperbacks. I slowly started accruing some hardcover editions when those appeared. Then, shortly after the year 2000 the number of books I bought dropped sharply. Reading habits changed, kids came into my life, I moved cities, and a host of other things happened around the same time. I looked at my de Lint books recently, and compared to his published output, although I own close to 30 of his books, that’s maybe around half his published books.

These days, as I’m trying to fill in a few gaps with books from favorite writers that I’ve missed over those “lost” years, de Lint’s books are high on my list. It seems that a fair number of his books in the 2000s were published in limited editions by Subterranean Press. These all are now out of print. Looking at the list of books under his name from that publisher, it would take a fair amount of money and effort to collect them all. But, I’ve slowly started to pick up a few of them.

First of these was Promises to Keep (Subterranean Press, 2007 – trade hardcover edition). This slim novel features an early tale from a character that has appeared in other de Lint stories, Jilly Coppercorn. With over two decades since I last read anything by de Lint, I don’t remember having previously encountered her. (Note: glancing through my stack of paperbacks I see that Jilly appears in Dreams Underfoot, a collection of linked stories. I’ve this book for many years, and I think I read some—or all—of the stories at some point.)

Next, Eyes Like Leaves (Subterranean Press, 2009 – signed, not numbered hardcover). This is early novel. It was first finished in 1980, but as de Lint explains in his introduction, his then editor cautioned against publishing it, as she felt it would pigeon-hole him as a “secondary world fantasy author.” At the time, he had already published a few novels, and was moving into a more contemporary fantasy genre, so he set aside the manuscript. Prompted by the release in book form of some earlier short stories (see below), he dusted off this book, cleaned it up a bit, and so we have a “lost” novel from de Lint, set in a magical world in an imaginary land.

Then, The Wind in His Heart (PS Publishing, 2018, signed and limited, #214 of 500 copies). This book, which I read in March 2024, is set far away from his usual imaginary city of Newford in Canada, and in the afterword de Lint mentions that the market for his adult books disappeared, and for years he had to write young adult stories. This probably explains one of the reasons in my gap of de Lint books. Still, I’m maybe part of the reason of that disappearing market, as until quite recently the last de Link book I bought was back in 2002; looking at an online bibliography, he published over 25 books since that 2002 purchase.

A Handful of Coppers (Subterranean Press, 2003 – signed, not numbered hardcover), contains some of the earliest de Lint stories. Every new writer needs to read a book like this, if only to remind themselves, as de Lint writes, that whether or not the stories he wrote back then are good or not (and writers mostly look back at early fiction and cringe), they were the best that they could be at the time. Many a new writer has looked at his or her first few stories and given up, seeing only rough, misshapen plots and characters. It takes time, work, effort, and someone like Charles de Lint put in a ton of effort to become a great writer, something evident even in his early stories.

Quicksilver & Shadow (Subterranean Press, 2005 – signed, not numbered hardcover) follows with more early tales. While the stories in A Handful of Coppers are mostly in the fantasy genre, the ones in this collection are described as “contemporary, dark fantasy, and science fiction.” Subterranean Press published a slew of de Lint books over the years, so I now feel the pressure to find the other collections and novels. Maybe it’s time to re-read some of the ones that I read so many years ago, as well.

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