Lost worlds and ports of call

Category: fiction (Page 2 of 11)

On writing a novel

Earlier this year I resumed writing fiction. I’ve wanted to be a writer for longer than I can remember. I wrote a few short stories, received a few favorable comments from friends. I took one story to a writers’ group a few years ago, and watched them flay it to shreds, not so much for the story itself but smaller errors. Or least, that’s how it seemed to me. I don’t think I returned after the third meeting. It was a long drive, I told myself, and maybe they were right. Still, I wrote a couple more stories, and even 35,000 words of a fantasy novel, but maybe the writing group experience disillusioned me. I quit writing fiction for many years.

Ideas still came to me, and I wrote a few of them down. Often these ideas appeared as titles, either made up, or snippets stitched together from something I’d heard.

Last year my father sent me a very nice pen for my birthday, and said he hoped it would help write a book. A short while later a friend who I hadn’t heard from in years wrote me, and remembered I had mentioned I was writing fiction. Was I still writing? The universe appeared to supply me with strong hints. I am older now, and have fewer pretentious, but I still felt the need to create fiction.

On January 24, 2014 I sat down and wrote a few words. Each night I returned, and after three weeks I finished a short story. I started another one, writing a few words every day. I showed the stories to no one. I went through this purely as an exercise, a way to scrape off layers of rust. In two months I finished six stories and a novella, four of the pieces set in a sort of shared alternate universe, the other three in different genres. Then I started a novel.

I always thought I would write only science fiction and fantasy. The modern writers that I admired (i.e. not dead) tended to write in these genres. Perhaps I tried to emulate certain favorite writers: Ray Bradbury, Jack Vance, Tim Powers, to name a few. I let the ideas and stories dictate the genre, and so I wrote one sf story this year, and one horror story. The rest I am not sure where they fall. The novel that I started on March 21 was a mystery novel, a complete surprise to me. I read mysteries years ago, but currently only read two mystery writers: Gunnar Staalesen in Norwegian, and Ian Rankin in English.

I worked from a vague outline and a specific setting, and found that characters presented themselves and the story evolved. On May 30, just over two months and ten days after I started the novel, I sat in an airport lounge and wrote 1,200 pages, including the words, “The End.” I typed the last two words just as they announced that my plane was boarding. I had written the first draft of a short novel, just over 61,000 pages long.

Writing is a matter of applying your rear to a chair and typing one word after another. I wrote my fiction in various location and various times: late at night, in the car at my daughter’s soccer practice, on a wobbly camping chair in front of a tent on a boy scout campout, in an airplane squeezed between two people whose elbows invaded my small seat, in hotel rooms when traveling. I’ve written every day for 135 days now.

I know the next steps include painful revisions, even more painful outside critiques, then if the stories stand up to scrutiny, query letters to find them a home. I’m not sure how to approach that next stage. I’m letting my novel percolate in the back of my mind, or maybe just receded from my immediate memory, and I am currently working on another short story. It’s almost scary that this week I came up with two more novel ideas for the same character as in my mystery novel, to go along with a third idea that I actually came up with while halfway through the novel, and then in half an hour six short story ideas – but then, ideas are easy, putting them to paper takes time and effort. I almost feel that this short novel was a warm-up, a prelude to the real thing. Maybe that’s just an excuse to ignore the edits and revisions, as writing for the sake of writing seems so much easier.

We shall see.

RIP, Iain M Banks

One week after the death of Jack Vance, another towering giant in the sf world passed away. Iain M. Banks was only 59 years old when he died in June 9. He had been diagnosed with inoperable cancer only a few months prior, and knew his time was marked and short.

I’ve mainly read his Culture and other sf books, all under the Iain M. Banks name, rather than his Iain Banks literary fiction. His two most memorable books are Feersum Endjinn and Player of Games, and while at times his penchant for twist endings seemed contrived, everything prior to his endings stood out as an example of superb writing and dazzling imagination at furious work. Time, I think, to look for his non-sf books and mourn his loss by celebrating his fiction.

RIP, Jack Vance

While out of the country recently I learned that Jack Vance passed away on May 26. Though Vance was in his late nineties, I almost expected him to live forever. Words cannot begin to describe the effect and influence his writing has had on my appreciation of fiction in general and the sf/fantasy genre. I read my first Vance story when I was nineteen, and no other write before or since has meant as much to me as Jack Vance. Elsewhere I will write my tribute in full. The world of genre fiction is far gloomier place without him.

Breaking Stalin’s Nose, a novel

Just learned about this young adult book, published in 2011and winner of the 2012 Newbury Award. Written by Eugene Yelchin, it tells the tale of a young boy in Soviet Russia

now that it is finally time to join the Young Soviet Pioneers, the day Sasha has awaited for so long, everything seems to go awry. Perhaps Sasha does not want to be a Young Soviet Pioneer after all. Is it possible that everything he knows about the Soviet Government is a lie?

Available from Amazon and other bookstores. There’s also a Kindle edition.

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