Lost worlds and ports of call

Tag: Bradley Denton

Bradley Denton’s Fiction

I don’t claim to know Mr. Bradley Denton. I met him exactly once, at someone’s house over two decades ago. At that time I’d probably read a few of his books, and liked them. As an awkward fan, of course, I muttered something complimentary about his books. No doubt he’s met many a fan, so it meant nothing to him. I may even have asked him to sign a copy or two of his book that I brought along with me, possibly a hardcover edition of Lunatics, or the trade paperback edition of Blackburn. Maybe not. I do own such signed copies of his books, but maybe I also bought them from Book People in Austin, as this bookstore tends to have a lot of authors show up for signings. I frequented Book People quite often back in the 1990s; I don’t recall being there for a Denton signing, but I’ve come across signed copies of books in their shelves, left over from authors who signed any extra books for the store.

Either before the day I met Denton, and definitely since, I’ve picked up every one of his books that I came across. His titles are varied and unique, from Buddy Holly is Alive and Well on Ganymede, to Laughin’ Boy, Wrack and Roll, and One Day Closer to Death. At one point, I struck gold and found copies of the pair of short story collections published by The Wildside Press in 1993 — The Conflagration Artist and The Calvin Coolidge Home for Dead Comedians. These two books were published in a special limited hardcover edition of 400 numbered and 26 lettered copies. They were both signed by Denton and artist Doug Potter, as well as Steven Gould, who wrote the introduction. Laughin’ Boy, published by Subterranean Press, was limited to 750 copies, and came out long after I met Denton, but I have the recollection (maybe right, maybe wrong), or mentioning that I’d heard he was writing this book. The pages of my copy of Wrack and Roll, a diminutive book from Headline in the UK in 1987, are already darkened with age. I’ve never found the paperback edition of this book, but I’m sure there are copies out there, somewhere.

In Denton’s own words, he’s a “semiobscure fiction writer” (One Day Closer to Death – 1998). Maybe he saw the writing on the wall already back then. As of this writing, it’s been a dozen years since his last published book, Sergeant Chip & Other Novellas, a collection published by Subterranean Press in 2014 as a signed/limited edition of only 750 copies. And then…nothing.

Along with Lunatics (1996), perhaps Denton’s most famous book is Blackburn (1993), a collection of tales about a serial killer. This pair of novels, along with One Day Closer to Death and Buddy Holly, received mainstream hardcover editions. Maybe it’s the semiobscure thing that caused the ink to dry, but by God, Denton deserves better. He’s a master prose writer. His stories are captivating, and his characters memorable and unique. And yet, nothing after 2014. I simply have to shake my head.

All this came to mind after I recently acquired a hardcover edition of Blackburn. I already had the trade paperback edition, a signed one to boot. But, I missed out on the hardcover when it first came out in 1993. Now, it joins the rest of my Denton books. Perhaps it’s time for a re-read, not just of Blackburn, but the other ones. I’ll hoist a glass to you, Mr Denton. If you’ve stopped writing, then thank you for the stories, and the memories. If not, then I hope to read more of your stories one day.

Books Added: Sterling, Denton, Charnas

Bradley Denton, One Day Closer to Death, St. Martin’s Press 1998. Collects eight stories, six of which I already have in the two-volume collection The Calvin Coolidge Home for Dead Comedians, and A Conflagration Artist from Wildside Press. Those two books, limited to 426 copies, won Denton the World Fantasy Award in 1995. One Day Closer to Death is signed, with an inlaid ticket from a Clarion West event in Seattle, WA in 2001. Those two books limited to 426 copies are among the rarest of limited editions that I own, which granted, is a low bar compared to some collectors. I haven’t see a new Denton book in 10 years or so, but then the genre publishing market is a brutal one, even for award-winning writers.

Bradley Denton, Wrack and Roll, Headline 1987. His first novel, a UK edition and signed by Denton. The pages are slightly faded, but otherwise the book’s in good shape. I’m a bit worried about reading this book, since it’s over 30 years old, and it doesn’t seem that to be made to last, but it appears to be in great shape. Along with One Day Closer to Death, this was the only Denton book I didn’t own, although I still need to get a hardcover edition of Blackburn.

Bruce Sterling, The Caryatids, Del Rey 2009. A hardcover edition of the last book he published before leaving for Europe. There are still a handful of gaps in my Sterling collection, though I do have a couple of early books signed by Sterling, back from when we both lived in Austin (not that I knew him…). I believe one of the books I managed to get signed was at a Capitol Macintosh meeting, a computer user group active in bygone days. Others were signed at Armadillocon, the same time I got several William Gibson books signed. It all seems like such a long time ago, now.

Suzy McKee Charnas, Moonstone and Tiger-Eye. This was the 29th and last in Pulphouse Publishing’s Author’s Choice Monthly series. I have most of the Author’s Choice Monthly books in paperback, but found a hardback copy of this one at a decent price. Since I had recently (by accident) bought another hardback edition of another book in the series, I figured I might as well add this one. Whether this means I now try to replace 25 paperback copies with hardback editions remains to be seen. The Charnas book is in excellent shape.

There are still two books in the series that I lack, which I hope to remedy this year. At some point, possibly the 28th in the series, the covers changed from images of the author to more imaginative covers, although George Barr remained the illustrator. It’s too bad Pulphouse Publishing wasn’t able to continue this series, along with their hardback magazine, which folded around the same time (as did the entire publishing house). More relics of a bygone age.

All these books were bought from the same online seller, arrived in mylar protective covers, and were packaged in ziplock bags and bubblewrap. I was truly impressed by the care the seller took when sending these books. All four had been on my want-list a long time.

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